A poem a day

[Tyr-Ziu Saxnot]

HAHA, I NEED MY COFFEE.
Presented this in the wrong thread but will just let it stay. --TYR

[LongTermGuy]

HAHA, I NEED MY COFFEE.
Presented this in the wrong thread but will just let it stay. --TYR

Tyr.....your funny! Understand the coffee thing!

[Tyr-Ziu Saxnot]

At Les Éboulements
---------------------------by Duncan Scott Campbell

A GLAMOUR on the phantom shore
Of golden pallid green,
Gray purple in the flats before,
The river streams between.

From hazy hamlets, one by one,
Beyond the island bars,
The casements in the setting sun
Flash back in violet stars.

A brig is straining out for sea,
To Norway or to France she goes,
And all her happy flags are free,
Her sails are flushed with rose.

----------------------------------------
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The Cup
-------------------------------by Duncan Scott Campbell

HERE is pleasure; drink it down.
Here is sorrow; drain it dry.
Tilt the goblet, don’t ask why.
Here is madness; down it goes.
Here’s a dagger and a kiss,
Don’t ask what the reason is.
Drink your liquor, no one knows;
Drink it bravely like a lord.
Do not roll a coward eye,
Pain and pleasure is one sword
Hacking out your destiny;
Do not say, "It is not just."
That word won’t apply to life;
You must drink because you must;
Tilt the goblet, cease the strife.
Here at last is something good,
Just to warm your flagging blood.
Don’t take breath-
At the bottom of the cup
Here is death:
Drink it up.

[Tyr-Ziu Saxnot]

Down on the Shore
------------------------------------- by William Allingham

Down on the shore, on the sunny shore!
Where the salt smell cheers the land;
Where the tide moves bright under boundless light,
And the surge on the glittering strand;
Where the children wade in the shallow pools,
Or run from the froth in play;
Where the swift little boats with milk-white wings
Are crossing the sapphire bay,
And the ship in full sail, with a fortunate gale,
Holds proudy on her way;
Where the nets are spread on the grass to dry,
And asleep, hard by, the fishermen lie,
Under the tent of the warm blue sky,
With the hushing wave on its golden floor
To sing their lullaby.

Down on the shore, on the stormy shore!
Beset by a growling sea,
Whose mad waves leap on the rocky steep
Like wolves up a traveller's tree;
Where the foam flies wide, and an angry blast
Blows the curlew off, with a screech;
Where the brown sea-wrack, torn up by the roots,
Is flung out of fishes' reach;
And the tall ship rolls on the hidden shoals,
And scatters her planks on the beach;
Where slate and straw through the village spin,
And a cottage fronts the fiercest din
With a sailor's wife sitting sad within,
Hearkening the wind and the water's roar,
Till at last her tears begin.

[Tyr-Ziu Saxnot]

Bread and Music
-----------------------------------------by Conrad Aiken

Music I heard with you was more than music,
And bread I broke with you was more than bread;
Now that I am without you, all is desolate;
All that was once so beautiful is dead.

Your hands once touched this table and this silver,
And I have seen your fingers hold this glass.
These things do not remember you, belovèd,
And yet your touch upon them will not pass.

For it was in my heart you moved among them,
And blessed them with your hands and with your eyes;
And in my heart they will remember always,—
They knew you once, O beautiful and wise.

In his best poems Conrad Aiken rivals W. H. Auden, Dylan Thomas, Wallace Stevens and Hart Crane as masters of modern English poetic meter. Aiken's "Bread and Music" is one of my favorite poems, regardless of era.

[Tyr-Ziu Saxnot]

Depths
------------------------------------------by Richard Moore

Once more home is a strange place: by the ocean a
big house now, and the small houses are memories,
once live images, vacant
thoughts here, sinking and vanishing.

Rough sea now on the shore thundering brokenly
draws back stones with a roar out into quiet and
far depths, darkly to lie there
years, years—there not a sound from them.

New waves out of the night's mist and obscurity
lunge up high on the beach, spending their energy,
each wave angrily dying,
all shapes endlessly altering,

yet out there in the depths nothing is modified.
Earthquakes won't even move—no, nor the hurricane—
one stone there, nor a glance of
sun's light stir its identity.

This is a wonderfully haunting poem by the poet Richard Moore, who lived in a dilapidated mansion close by the sea, until his death.

[Tyr-Ziu Saxnot]

Dulce Et Decorum Est
---------------------------------------------by Wilfred Owen

Bent double, like old beggars under sacks
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.



"Dulce et decorum est pro patria mori" appears in Horace's Odes. The "old lie" means: "It is sweet and fitting to die for one's country." Wilfred Owen stands at the vanguard of the great anti-war poets and singer-songwriters. "Dulce Et Decorum Est" may be the most important poem in the English language: one that eventually leads to the abolition of war. But in any case, Wilfred Owen was undoubtedly a major poet, and one of the first great truly modern English poets. He died just before the armistice that ended World War I. There's no telling what he might have accomplished if he had lived, but he left behind a good number of immortal poems: all of them penned within the short period of time between his enlistment and death.

[Tyr-Ziu Saxnot]

The Unreturning
by Wilfred Owen

Suddenly night crushed out the day and hurled
Her remnants over cloud-peaks, thunder-walled.
Then fell a stillness such as harks appalled
When far-gone dead return upon the world.

There watched I for the Dead; but no ghost woke.
Each one whom Life exiled I named and called.
But they were all too far, or dumbed, or thralled,
And never one fared back to me or spoke.

Then peered the indefinite unshapen dawn
With vacant gloaming, sad as half-lit minds,
The weak-limned hour when sick men's sighs are drained.
And while I wondered on their being withdrawn,
Gagged by the smothering Wing which none unbinds,
I dreaded even a heaven with doors so chained.

This is another powerful poem by one of the very best war poets.

[Tyr-Ziu Saxnot]

After the Rain
----------------------------------by Jared Carter

After the rain, it’s time to walk the field
again, near where the river bends. Each year
I come to look for what this place will yield—
lost things still rising here.

The farmer’s plow turns over, without fail,
a crop of arrowheads, but where or why
they fall is hard to say. They seem, like hail,
dropped from an empty sky,

yet for an hour or two, after the rain
has washed away the dusty afterbirth
of their return, a few will show up plain
on the reopened earth.

Still, even these are hard to see—
at first they look like any other stone.
The trick to finding them is not to be
too sure about what’s known;

conviction’s liable to say straight off
this one’s a leaf, or that one’s merely clay,
and miss the point: after the rain, soft
furrows show one way

across the field, but what is hidden here
requires a different view—the glance of one
not looking straight ahead, who in the clear
light of the morning sun

simply keeps wandering across the rows,
letting his own perspective change.
After the rain, perhaps, something will show,
glittering and strange.

I admire this poem by the contemporary poet Jared Carter, especially its closing lines. This poem capitalizes on the poet's capacity for wonder.

[Tyr-Ziu Saxnot]

Rondel
-----------------------------------by Kevin N. Roberts

Our time has passed on swift and careless feet,
With sighs and smiles and songs both sad and sweet.
Our perfect hours have grown and gone so fast,
And these are things we never can repeat.
Though we might plead and pray that it would last,
Our time has passed.

Like shreds of mist entangled in a tree,
Like surf and sea foam on a foaming sea,
Like all good things we know can never last,
Too soon we'll see the end of you and me.
Despite the days and realms that we amassed,
Our time has passed.

Kevin Nicholas Roberts [1969-2008] was a poet, fiction writer and professor of English Literature. He died on December 10, 2008. Kevin had lived and studied all over the United States and had also spent three years in the English countryside of Suffolk writing Romantic poetry and studying the Romantic Masters beside the North Sea. His poetry has been compared to that of Swinburne, one of his major influences. Kevin was born on the 4th of April in the United States, which, accounting for the hour of his birth and the time zone difference, just happened to be Swinburne's birthdate, April the 5th, in England. And he told me once that he believed he was the reincarnation of Swinburne.

[Tyr-Ziu Saxnot]

N. W.
-------------------------------by Robert Mezey

On a certain street there is a certain door,
Unyielding, around which rockroses rise,
Charged with the scent of a lost paradise,
Which in the evening sunlight opens no more,
Or not to me. Once, in a better light,
Dearly awaited arms would wait for me
And in the impatient fading of the day
The joy and peace of the embracing night.
No more of that. Now, a day breaks and dies,
Releasing empty hours and impure
Fantasies, and the abuse of literature,
The lawless images and artful lies,
And pointless tears, and the envy of other men.
And then the longing for oblivion.
after Borges
---------------------------------------------------------
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This is a wonderful poem about loss, by a contemporary poet.

[Tyr-Ziu Saxnot]

Word Made Flesh
------------------------------------------------by Ann Drysdale

On the broad steps of the Basilica
The feckless hopefully hold out their hands,
Often with some success; the privileged
Lighten their consciences by a few pence
On their way to receive the sacrament.

On the seventeenth step two beggars sit
Paying no regard to the worshippers
Who file past on their way to salvation.
They do not ask for alms. They are engrossed,
Skillfully masturbating one another.

Most who have noticed this pretend they haven’t;
Some of the other beggars wish they wouldn’t.
Poor relief is incumbent on the rich
And by taking things into their own hands
They spoil the scene for everybody else.

Our Lord said, “silver and gold have I none
But such as I have give I thee”. The words
Are here made flesh; with beatific sigh
One gives the other benison, slipping
All that he has into the waiting hand
Of somebody who shares his human need.

The newly shriven filter down the steps
Averting their eyes from the seventeenth,
Where the first beggar, in a state of grace,
Works selflessly towards the second coming.

I absolutely love Ann Drysdale's poem. If only there was a God whose grace extended to beggars masturbating each other on the steps of a Basilica! But then what use would there be for the hellfire-and-brimstone condemners of humankind?

[Tyr-Ziu Saxnot]

from Word from the Hills
a sonnet sequence in four movements
--------------------------------------------------------------by Richard Moore

11
You were so solid, father, cold and raw
as these north winters, where your angry will
first hardened, as the earth when the long chill
deepens—as is this country's cruel law—
yet under trackless snow, without a flaw
covering meadow, road, and stubbled hill,
the springs and muffled streams were running still,
dark until spring came, and the awful thaw.
In your decay a gentleness appears
I hadn't guessed—when, gray as rotting snow,
propped in your chair, your face will run with tears,
trying to speak, and your hand, stiff and slow,
will touch my child—who, sensing the cold years
in your eyes, cries until you let her go.

This poem about the poet's father and daughter proves that real life can be darker and more frightening than any horror story.

[Tyr-Ziu Saxnot]

Non sum qualis eram bonae sub regno Cynarae
by Ernest Dowson

"I am not as I was under the reign of the good Cynara"—Horace

Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.

All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to you, Cynara! in my fashion.

I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long;
I have been faithful to thee, Cynara! in my fashion.

I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.

Ernest Dowson wrote a small handful of poems that are among the strongest in the English language. I consider him one of the very best "unknown" or "under-known" major poets, along with Louise Bogan. The poem above should make him forever immortal, unless readers lose their ears and their senses.

[Tyr-Ziu Saxnot]

MEN IMPROVE WITH THE YEARS
----------------------------------------------------------by W. B. Yeats

I AM worn out with dreams;
A weather-worn, marble triton
Among the streams;
And all day long I look
Upon this lady's beauty
As though I had found in a book
A pictured beauty,
pleased to have filled the eyes
Or the discerning ears,
Delighted to be but wise,
For men improve with the years;
And yet, and yet,
Is this my dream, or the truth?
O would that we had met
When I had my burning youth!
But I grow old among dreams,
A weather-worn, marble triton
Among the streams.