A poem a day

[Tyr-Ziu Saxnot]

Time and Grief
----------------------------------------- by William Lisle Bowles


O TIME! who know'st a lenient hand to lay
Softest on sorrow's wound, and slowly thence
(Lulling to sad repose the weary sense)
The faint pang stealest unperceived away;
On thee I rest my only hope at last,
And think, when thou hast dried the bitter tear
That flows in vain o'er all my soul held dear,
I may look back on every sorrow past,
And meet life's peaceful evening with a smile:
As some lone bird, at day's departing hour,
Sings in the sunbeam, of the transient shower
Forgetful, though its wings are wet the while:--
Yet ah! how much must this poor heart endure,
Which hopes from thee, and thee alone, a cure!

[Tyr-Ziu Saxnot]

Lost Love
--------------------------------------by Robert Graves

His eyes are quickened so with grief,
He can watch a grass or leaf
Every instant grow; he can
Clearly through a flint wall see,
Or watch the startled spirit flee
From the throat of a dead man.
Across two counties he can hear
And catch your words before you speak.
The woodlouse or the maggot's weak
Clamour rings in his sad ear,
And noise so slight it would surpass
Credence--drinking sound of grass,
Worm talk, clashing jaws of moth
Chumbling holes in cloth;
The groan of ants who undertake
Gigantic loads for honour's sake
(Their sinews creak, their breath comes thin);
Whir of spiders when they spin,
And minute whispering, mumbling, sighs
Of idle grubs and flies.
This man is quickened so with grief,
He wanders god-like or like thief
Inside and out, below, above,
Without relief seeking lost love.

[Tyr-Ziu Saxnot]

Senlin: His Dark Origins --------------------------------by Conrad Aiken
1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,—
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,—
Sailing from moon or sun on a river of light.'

He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.

The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.

Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, —ourselves,—the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .

Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.

2

Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'

(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!—'

The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?

In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.

Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.

3

It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.

It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.

No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet weed hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
Do sea-girls haunt these caves—do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.

4

Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.

Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.

'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'

It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?—Or is this city Senlin,—
Quietly watching the burial of the dead?
Dumbly observing the cortège of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.

5

In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.

'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.

"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low—
Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel—the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'

. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.

6

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!

First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.

What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.

Inside, the third, a fourth . . . and this the artist,—
A priest, perhaps—did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.

And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.

And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.

7

'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?

Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.

Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,—
A helpless gesture of mist above the grasses.

8

In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.

The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams tinkle down from snow to boulders,
From boulders to white grass.

Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.

Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?

Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see

The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.

'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.

[Tyr-Ziu Saxnot]

Imitation
--------------------------------------------by Alexander Pushkin


I saw the Death, and she was seating
By quiet entrance at my own home,
I saw the doors were opened in my tomb,
And there, and there my hope was a-flitting
I'll die, and traces of my past
In days of future will be never sighted,
Look of my eyes will never be delighted
By dear look, in my existence last.

Farewell the somber world, where, precipice above,
My gloomy road was a-streaming,
Where life for me was never cheering,
Where I was loving, having not to love!
The dazzling heavens' azure curtain,
Beloved hills, the brook's enchanting dance,
You, mourn -- the inspiration's chance,
You, peaceful shades of wilderness, uncertain,
And all -- farewell, farewell at once.

[Tyr-Ziu Saxnot]

The Lost Legion
-------------------------------------by Rudyard Kipling

1895

There's a Legion that never was listed,
That carries no colours or crest,
But, split in a thousand detachments,
Is breaking the road for the rest.
Our fathers they left us their blessing --
They taught us, and groomed us, and crammed;
But we've shaken the Clubs and the Messes
To go and find out and be damned
(Dear boys!),
To go and get shot and be damned.

So some of us chivvy the slaver,
And some of us cherish the black,
And some of us hunt on the Oil Coast,
And some on the Wallaby track:
And some of us drift to Sarawak,
And some of us drift up The Fly,
And some share our tucker with tigers,
And some with the gentle Masai,
(Dear boys!),
Take tea with the giddy Masai.

We've painted The Islands vermilion,
We've pearled on half-shares in the Bay,
We've shouted on seven-ounce nuggets,
We've starved on a Seedeeboy's pay;
We've laughed at the world as we found it, --
Its women and cities and men --
From Sayyid Burgash in a tantrum
To the smoke-reddened eyes of Loben,
(Dear boys!),
We've a little account with Loben.

The ends of the Farth were our portion,
The ocean at large was our share.
There was never a skirmish to windward
But the Leaderless Legion was there:
Yes, somehow and somewhere and always
We were first when the trouble began,
From a lottery-row in Manila,
To an I. D. B. race on the Pan
(Dear boys!),
With the Mounted Police on the Pan.

We preach in advance of the Army,
We skirmish ahead of the Church,
With never a gunboat to help us
When we're scuppered and left in the lurch.
But we know as the cartridges finish,
And we're filed on our last little shelves,
That the Legion that never was listed
Will send us as good as ourselves
(Good men!),
Five hundred as good as ourselves!

Then a health (we must drink it in whispers),
To our wholly unauthorized horde --

To the line of our dusty foreloopers,
The Gentlemen Rovers abroad --
Yes, a health to ourselves ere we scatter,
For the steamer won't wait for the train,
And the Legion that never was listed
Goes back into quarters again!
'Regards!
Goes back under canvas again.
Hurrah!
The swag and the billy again.
Here's how!
The trail and the packhorse again.
Salue!
The trek and the laager again!
---------------------------------------------------------------------------------

From 120 years ago, this fantastic poem exhibits the so much of the character that made Britain the number on force and great empire in the world.
Speaks of deep duty, great courage and acceptance of taming much of the great brutality in the world, (by greater force of will, and temporarily greater brutality to get the job done).
The Western world now forgets(much to our sorrow) that to defeat Evil one has to use greater force and often greater brutality for a short period to end the struggle sooner.

[Tyr-Ziu Saxnot]

Sonnet 02: Time Does Not Bring Relief; You All Have Lied
--------------------------------------------------------by Edna St. Vincent Millay
Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last year's leaves are smoke in every lane;
But last year's bitter loving must remain
Heaped on my heart, and my old thoughts abide

There are a hundred places where I fear
To go,—so with his memory they brim
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, "There is no memory of him here!"
And so stand stricken, so remembering him!

[Tyr-Ziu Saxnot]

The Young Soldier
-------------------------------by Wilfred Owen

It is not death
Without hereafter
To one in dearth
Of life and its laughter,

Nor the sweet murder
Dealt slow and even
Unto the martyr
Smiling at heaven:

It is the smile
Faint as a (waning) myth,
Faint, and exceeding small
On a boy's murdered mouth.

[Tyr-Ziu Saxnot]

To Outer Nature
--------------------------- by Thomas Hardy


SHOW thee as I thought thee
When I early sought thee,
Omen-scouting,
All undoubting
Love alone had wrought thee--

Wrought thee for my pleasure,
Planned thee as a measure
For expounding
And resounding
Glad things that men treasure.

O for but a moment
Of that old endowment--
Light to gaily
See thy daily
Irisиd embowment!

But such readorning
Time forbids with scorning--
Makes me see things
Cease to be things
They were in my morning.

Fad'st thou, glow-forsaken,
Darkness-overtaken!
Thy first sweetness,
Radiance, meetness,
None shall reawaken.

Why not sempiternal
Thou and I? Our vernal
Brightness keeping,
Time outleaping;
Passed the hodiernal!

[Tyr-Ziu Saxnot]

A Lost Angel
-------------------------------------------- by Ellis Parker Butler


When first we met she seemed so white
I feared her;
As one might near a spirit bright
I neared her;
An angel pure from heaven above
I dreamed her,
And far too good for human love
I deemed her.
A spirit free from mortal taint
I thought her,
And incense as unto a saint
I brought her.

Well, incense burning did not seem
To please her,
And insolence I feared she’d deem
To squeeze her;
Nor did I dare for that same why
To kiss her,
Lest, shocked, she’d cause my eager eye
To miss her.
I sickened thinking of some way
To win her,
When lo! she asked me, one fine day,
To dinner!

Twas thus that made of common flesh
I found her,
And in a mortal lover’s mesh
I wound her.
Embraces, kisses, loving looks
I gave her,
And buying bon-bons, flowers and books,
I save her;
For her few honest, human taints
I love her,
Nor would I change for all the saints
Above her
Those eyes, that little face, that so
Endear her,
And all the human joy I know
When near her;
And I am glad, when to my breast
I press her,
She’s just a woman, like the rest,
God bless her!
--------------------------------------------------------------------------

"And I am glad, when to my breast
I press her,
She’s just a woman, like the rest,
God bless her!"

When you so dearly love your wife the--"like all the rest"-- never applies.
To find that treasure, that person is a wonderful blessing. I now know...---Tyr

[Tyr-Ziu Saxnot]

Night Journey
------------------------by Theodore Roethke

Now as the train bears west,
Its rhythm rocks the earth,
And from my Pullman berth
I stare into the night
While others take their rest.
Bridges of iron lace,
A suddenness of trees,
A lap of mountain mist
All cross my line of sight,
Then a bleak wasted place,
And a lake below my knees.
Full on my neck I feel
The straining at a curve;
My muscles move with steel,
I wake in every nerve.
I watch a beacon swing
From dark to blazing bright;
We thunder through ravines
And gullies washed with light.
Beyond the mountain pass
Mist deepens on the pane;
We rush into a rain
That rattles double glass.
Wheels shake the roadbed stone,
The pistons jerk and shove,
I stay up half the night
To see the land I love.

[Tyr-Ziu Saxnot]

The Dark Forest
------------------------ by Edward Thomas


Dark is the forest and deep, and overhead
Hang stars like seeds of light
In vain, though not since they were sown was bred
Anything more bright.

And evermore mighty multitudes ride
About, nor enter in;
Of the other multitudes that dwell inside
Never yet was one seen.

The forest foxglove is purple, the marguerite
Outside is gold and white,
Nor can those that pluck either blossom greet
The others, day or night.

[Tyr-Ziu Saxnot]

The Loss Of The Eurydice
---------------------------------------------by Gerard Manley Hopkins
Foundered March 24. 1878


1

The Eurydice—it concerned thee, O Lord:
Three hundred souls, O alas! on board,
Some asleep unawakened, all un-
warned, eleven fathoms fallen

2

Where she foundered! One stroke
Felled and furled them, the hearts of oak!
And flockbells off the aerial
Downs' forefalls beat to the burial.

3

For did she pride her, freighted fully, on
Bounden bales or a hoard of bullion?—
Precious passing measure,
Lads and men her lade and treasure.

4

She had come from a cruise, training seamen—
Men, boldboys soon to be men:
Must it, worst weather,
Blast bole and bloom together?

5

No Atlantic squall overwrought her
Or rearing billow of the Biscay water:
Home was hard at hand
And the blow bore from land.

6

And you were a liar, O blue March day.
Bright sun lanced fire in the heavenly bay;
But what black Boreas wrecked her? he
Came equipped, deadly-electric,

7

A beetling baldbright cloud thorough England
Riding: there did stores not mingle? and
Hailropes hustle and grind their
Heavengravel? wolfsnow, worlds of it, wind there?

8

Now Carisbrook keep goes under in gloom;
Now it overvaults Appledurcombe;
Now near by Ventnor town
It hurls, hurls off Boniface Down.

9

Too proud, too proud, what a press she bore!
Royal, and all her royals wore.
Sharp with her, shorten sail!
Too late; lost; gone with the gale.

10

This was that fell capsize,
As half she had righted and hoped to rise
Death teeming in by her portholes
Raced down decks, round messes of mortals.

11

Then a lurch forward, frigate and men;
'All hands for themselves' the cry ran then;
But she who had housed them thither
Was around them, bound them or wound them with her.

12

Marcus Hare, high her captain,
Kept to her—care-drowned and wrapped in
Cheer's death, would follow
His charge through the champ-white water-in-a-wallow,

13

All under Channel to bury in a beach her
Cheeks: Right, rude of feature,
He thought he heard say
'Her commander! and thou too, and thou this way.'

14

It is even seen, time's something server,
In mankind's medley a duty-swerver,
At downright 'No or yes?'
Doffs all, drives full for righteousness.

15

Sydney Fletcher, Bristol-bred,
(Low lie his mates now on watery bed)
Takes to the seas and snows
As sheer down the ship goes.

16

Now her afterdraught gullies him too down;
Now he wrings for breath with the deathgush brown;
Till a lifebelt and God's will
Lend him a lift from the sea-swill.

17

Now he shoots short up to the round air;
Now he gasps, now he gazes everywhere;
But his eye no cliff, no coast or
Mark makes in the rivelling snowstorm.

18

Him, after an hour of wintry waves,
A schooner sights, with another, and saves,
And he boards her in Oh! such joy
He has lost count what came next, poor boy.—

19

They say who saw one sea-corpse cold
He was all of lovely manly mould,
Every inch a tar,
Of the best we boast our sailors are.

20

Look, foot to forelock, how all things suit! he
Is strung by duty, is strained to beauty,
And brown-as-dawning-skinned
With brine and shine and whirling wind.

21

O his nimble finger, his gnarled grip!
Leagues, leagues of seamanship
Slumber in these forsaken
Bones, this sinew, and will not waken.

22

He was but one like thousands more,
Day and night I deplore
My people and born own nation,
Fast foundering own generation.

23

I might let bygones be—our curse
Of ruinous shrine no hand or, worse,
Robbery's hand is busy to
Dress, hoar-hallowèd shrines unvisited;

24

Only the breathing temple and fleet
Life, this wildworth blown so sweet,
These daredeaths, ay this crew, in
Unchrist, all rolled in ruin—

25

Deeply surely I need to deplore it,
Wondering why my master bore it,
The riving off that race
So at home, time was, to his truth and grace

26

That a starlight-wender of ours would say
The marvellous Milk was Walsingham Way
And one—but let be, let be:
More, more than was will yet be.—

27

O well wept, mother have lost son;
Wept, wife; wept, sweetheart would be one:
Though grief yield them no good
Yet shed what tears sad truelove should.

28

But to Christ lord of thunder
Crouch; lay knee by earth low under:
'Holiest, loveliest, bravest,
Save my hero, O Hero savest.

29

And the prayer thou hearst me making
Have, at the awful overtaking,
Heard; have heard and granted
Grace that day grace was wanted.'

30

Not that hell knows redeeming,
But for souls sunk in seeming
Fresh, till doomfire burn all,
Prayer shall fetch pity eternal.
-------------------------------------------------------------------------------
Truly great and epic write!!!! -Tyr

[Tyr-Ziu Saxnot]

ART ABOVE NATURE: TO JULIA
-------------------------------- by Robert Herrick

When I behold a forest spread
With silken trees upon thy head;
And when I see that other dress
Of flowers set in comeliness;
When I behold another grace
In the ascent of curious lace,
Which, like a pinnacle, doth shew
The top, and the top-gallant too;
Then, when I see thy tresses bound
Into an oval, square, or round,
And knit in knots far more than I.
Can tell by tongue, or True-love tie;
Next, when those lawny films I see
Play with a wild civility;
And all those airy silks to flow,
Alluring me, and tempting so--
I must confess, mine eye and heart
Dotes less on nature than on art.

[Balu]

Robert, you a great help!
Me, I already help my grand children to learn and understand English on the basis of the poems and sonnets you are placing here.
Another vocabulary, another everything, comparing with that you can see in Mass-media.
Hope, in September-October they will amaze their teachers.

[Tyr-Ziu Saxnot]

Sorrow
---------------------------------------by Algernon Charles Swinburne


SORROW, on wing through the world for ever,
Here and there for awhile would borrow
Rest, if rest might haply deliver
Sorrow.

One thought lies close in her heart gnawn thorough
With pain, a weed in a dried-up river,
A rust-red share in an empty furrow.

Hearts that strain at her chain would sever
The link where yesterday frets to-morrow:
All things pass in the world, but never
Sorrow.