A poem a day

[Tyr-Ziu Saxnot]

Sergeant-Major Money
BY ROBERT GRAVES

It wasn't our battalion, but we lay alongside it,
So the story is as true as the telling is frank.
They hadn't one Line-officer left, after Arras,
Except a batty major and the Colonel, who drank.

'B' Company Commander was fresh from the Depot,
An expert on gas drill, otherwise a dud;
So Sergeant-Major Money carried on, as instructed,
And that's where the swaddies began to sweat blood.

His Old Army humour was so well-spiced and hearty
That one poor sod shot himself, and one lost his wits;
But discipline's maintained, and back in rest-billets
The Colonel congratulates 'B' Company on their kits.

The subalterns went easy, as was only natural
With a terror like Money driving the machine,
Till finally two Welshmen, butties from the Rhondda,
Bayoneted their bugbear in a field-canteen.

Well, we couldn't blame the officers, they relied on Money;
We couldn't blame the pitboys, their courage was grand;
Or, least of all, blame Money, an old stiff surviving
In a New (bloody) Army he couldn't understand.

[Tyr-Ziu Saxnot]

When I'm Killed
by Robert Graves


When I’m killed, don’t think of me
Buried there in Cambrin Wood,
Nor as in Zion think of me
With the Intolerable Good.
And there’s one thing that I know well,
I’m damned if I’ll be damned to Hell!

So when I’m killed, don’t wait for me,
Walking the dim corridor;
In Heaven or Hell, don’t wait for me,
Or you must wait for evermore.
You’ll find me buried, living-dead
In these verses that you’ve read.

So when I’m killed, don’t mourn for me,
Shot, poor lad, so bold and young,
Killed and gone — don’t mourn for me.
On your lips my life is hung:
O friends and lovers, you can save
Your playfellow from the grave.

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Robert Graves was born in 1895 in Wimbledon, a suburb of London. Graves was known as a poet, lecturer and novelist. He was also known as a classicist and a mythographer. Perhaps his first known and revered poems were the poems Groves wrote behind the lines in World War One. He later became known as one of the most superb English language 'Love' poets. He then became recognised as one of the finest love poets writing in the English language.

Members of the poetry, novel writing, historian, and classical scholarly community often feel indebted to the man and his works. Robert Graves was born into an interesting time in history. He actually saw Queen Victoria’s Diamond Jubilee procession at the age of two or three. His family was quite patriotic, educated, strict and upper middle class.He saw his father as an authoritarian. He was not liked by his peers in school, nor did he care much for them. He attended British public school. He feared most of his Masters at the school. When he did seek out company, it was of the same sex and his relationships were clearly same sex in orientation.

Although he had a scholarship secured in the classics at Oxford, he escaped his childhood and Father through leaving for the Great War. Graves married twice, once to Nancy Nicholson, and they had four children, and his second marriage to Beryl Pritchard brought forth four more children. Graves married Nancy Nicholson before the war.
Graves' own poetry and prose is the best source for a description of his war experiences. It suffices to say that Graves never found what he was looking for leaving for war, but rather, terror and madness in the war. He was wounded, left for dead and pronounced dead by his surgeon in the field and his commanding officer in a telegram to his parents but subsequently recovered to read the report of his own demise in The Times. He amazingly recovered and was given home service for the rest of the war.However, like many of his fellow soldiers who were disabled by war, he could not get over the guilt he had leaving the other soldiers to fight without him. Somehow, he insisted he be posted back to the front lines. The military surgeon threatened him with court marshall if he didn’t get off the front. Graves returned to England trained troops, while maintaining contact with his poet friends behind the lines. In this way he was able to save one friend from court martial after he published an antiwar manifesto.

Though their relationship was initially happy and productive (Nancy and Robert worked on a children's book together), the stress of family life, little money and Robert's continual shell-shocked condition caused them troubles. Laura Ridding arriving on the scene finished off their marriage.Laura Riding and Robert Graves' relationship was immensely influential upon both of their lives and careers. After Riding's arrival in England, she began to exert an influence on more than just Graves' writing. Following a sequence of events so crazy that they seem more suitable to fiction than reality (including, for example, Laura Riding leaping from a third floor window and breaking her pelvic bone in three places), Graves abandoned his family and moved with Riding from England to Spain. The events of this period were so momentous that all three biographers that have covered his story, dedicate a large part of their studies to this couple.It's easy to vilify Laura Riding. Graves was but one victim of her controlling personality and her ambition. But then, Graves had his victims too. What cannot be questioned is the value of some of the work that they did together. Much of it remains important to both literary history as well as to scholarship.

In 1943 Robert Graves received the news that his son, David, was missing in action. While he and Nancy held out hope that he would be found alive or that he might have been taken prisoner, later reports suggested otherwise. David, Robert and Nancy learned, had been shot while attempting to single-handedly take out a well-defended enemy position. The chances that he had survived were not good.By 1946 as England and Europe began to survey its post-War state, Graves managed to secure transport for his family back to Majorca. Once safely back there, then other than annual trips to England, occasional visits to the continent and even rarer trips to America, the Graves' made Deya their home for good. After 1948 and the publication of The White Goddess, as Graves' fame and celebrity grew, Graves began a period of discovering muses who provided him with a flesh-and-blood manifestation of his poetic and mythic muse. Some of these relationships were short, others seemed largely innocent and more flirtatious than serious or deeply poetic; however, four were, without doubt, significant to Graves' life and, subsequently, to his work.

Graves' first muse after Nancy Nicholson, Laura Riding and Beryl Graves, the first after he his White Goddess theories, was Judith Bledsoe. Judith was a naïve young girl who found in the older Graves something of a father figure Graves found in her the embodiment of the White Goddess.Graves had many celebrity friends including film stars like Ava Gardner and Ingrid Bergman, fellow writers like T. S. Eliot and Gertrude Stein. Robert Graves ceased writing after his 80th birthday and his celebrity status slowly began to fade. However, where his own career stopped, the critical and academic industry was just beginning. He died in 1985 in Deja, a Majorcan village that he had moved to and lived in since 1929.

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Graves lived 1895 until 1985. Myself, Ive never read a poem he wrote that was not great or at least very fine!
His influence on poetry was massive IMHO.-Tyr

[Tyr-Ziu Saxnot]

A Good Knight In Prison
---------------------------------by William Morris

Wearily, drearily,
Half the day long,
Flap the great banners
High over the stone;
Strangely and eerily
Sounds the wind's song,
Bending the banner-poles.

While, all alone,
Watching the loophole's spark,
Lie I, with life all dark,
Feet tether'd, hands fetter'd
Fast to the stone,
The grim walls, square-letter'd
With prison'd men's groan.

Still strain the banner-poles
Through the wind's song,
Westward the banner rolls
Over my wrong.

[Tyr-Ziu Saxnot]

Courage
------------------------------ by Robert William Service

Today I opened wide my eyes,
And stared with wonder and surprise,
To see beneath November skies
An apple blossom peer;
Upon a branch as bleak as night
It gleamed exultant on my sight,
A fairy beacon burning bright
Of hope and cheer.

"Alas!" said I, "poor foolish thing,
Have you mistaken this for Spring?
Behold, the thrush has taken wing,
And Winter's near."
Serene it seemed to lift its head:
"The Winter's wrath I do not dread,
Because I am," it proudly said,
"A Pioneer.

"Some apple blossom must be first,
With beauty's urgency to burst
Into a world for joy athirst,
And so I dare;
And I shall see what none shall see -
December skies gloom over me,
And mock them with my April glee,
And fearless fare.

"And I shall hear what none shall hear -
The hardy robin piping clear,
The Storm King gallop dark and drear
Across the sky;
And I shall know what none shall know -
The silent kisses of the snow,
The Christmas candles' silver glow,
Before I die.

"Then from your frost-gemmed window pane
One morning you will look in vain,
My smile of delicate disdain
No more to see;
But though I pass before my time,
And perish in the grale and grime,
Maybe you'll have a little rhyme
To spare for me."

-----------------------------------------------------------------------------------------------------------------
So much wisdom in this poem.... -Tyr

[Tyr-Ziu Saxnot]

The Young Soldier
-------------------------------by Wilfred Owen

It is not death
Without hereafter
To one in dearth
Of life and its laughter,

Nor the sweet murder
Dealt slow and even
Unto the martyr
Smiling at heaven:

It is the smile
Faint as a (waning) myth,
Faint, and exceeding small
On a boy's murdered mouth.

[Tyr-Ziu Saxnot]

Федор Тютчев

* * *
К. Б.
Fyodor Tutchev


(translated from the Russian by Alec Vagapov)


***

Я встретил вас - и все былое
В отжившем сердце ожило;
Я вспомнил время золотое -
И сердцу стало так тепло...

Как поздней осени порою
Бывают дни, бывает час,
Когда повеет вдруг весною
И что-то встрепенется в нас,-

Так, весь обвеян духовеньем
Тех лет душевной полноты,
С давно забытым упоеньем
Смотрю на милые черты...

Как после вековой разлуки,
Гляжу на вас, как бы во сне,-
И вот - слышнее стали звуки,
Не умолкавшие во мне...

Тут не одно воспоминанье,
Тут жизнь заговорила вновь,-
И то же в нас очарованье,
И та ж в душе моей любовь!..

26 июля 1870


I met you, and the bygone moments
Awakened in my fainted heart;
The good old times, like golden omens,
Warmed up my soul, giving a start...

It's like in autumn, way belated,
A day, or hour, comes to pass
When breath of spring comes, unexpected,
And... something palpitates in us.

And wholly filled with inspiration
By all those hearty years and dates
With long forgotten exultation
I look at your amazing traits...

Like after years of separation
I stare at you, as if in dreams, -
And now... I hear the augmentation
Of never ending sounds, it seems.

It's not just simple recollection,
It's life that has begun to chat, -
The same old charm and admiration,
The same old love deep in my heart!

July 26th, 1870
----------------------------------------------------------------------------------------------------

Федор Тютчев




Fyodor Tutchev


(translated from the Russian

by Alec Vagapov)



* * *
Сей день, я помню, для меня
Был утром жизненного дня:
Стояла молча предо мною,
Вздымалась грудь ее волною,
Алели щеки, как заря,
Все жарче рдея и горя!
И вдруг, как солнце молодое,
Любви признанье золотое
Исторглось из груди ея...
И новый мир увидел я!..

1830
***
To me, as I recall, that day
Was morning of my life's new way,
She stood in silence, I am retrieving,
Like tidal wave her chest was heaving,
Her cheeks aglow were turning red
Like sunrise glare overhead!
Then, like the rising sun, abruptly
Sweet word of love came out heartily...
And hearing the golden word
I got to know the brand-new world!

1830
-----------------------------------------------------------------
A double offering today, both truly great poems.. -Tyr

[Balu]

Федор Тютчев
... A double offering today, both truly great poems.. -Tyr

Thank you Robert for your finding time to read. And I am very glad that you felt...
Every Poet let everything he has to say pass through his Soul. And the richer the Soul is the more chances for a poet to wright masterpieces.
You, Robert, is one of such luckiest persons. I am not flattering. You are not a girl.

[Tyr-Ziu Saxnot]

A Prayer For Old Age
----------------------------------by William Butler Yeats

God guard me from those thoughts men think
In the mind alone;
He that sings a lasting song
Thinks in a marrow-bone;

From all that makes a wise old man
That can be praised of all;
O what am I that I should not seem
For the song's sake a fool?

I pray -- for word is out
And prayer comes round again --
That I may seem, though I die old,
A foolish, passionate man.