A poem a day

[Tyr-Ziu Saxnot]

Exile

BY the sad waters of separation
Where we have wandered by divers ways,
I have but the shadow and imitation
Of the old memorial days.

In music I have no consolation,
No roses are pale enough for me;
The sound of the waters of separation
Surpasseth roses and melody.

By the sad waters of separation
Dimly I hear from an hidden place
The sigh of mine ancient adoration:
Hardly can I remember your face.

If you be dead, no proclamation
Sprang to me over the waste, gray sea:
Living, the waters of separation
Sever for ever your soul from me.

No man knoweth our desolation;
Memory pales of the old delight;
While the sad waters of separation
Bear us on to the ultimate night

by Ernest Dowson

[Balu]

Dear Robert,
I understand, that you gratified me by your poems, but where is your poem for today?
I am missing it!!!

[Tyr-Ziu Saxnot]

Dear Robert,
I understand, that you gratified me by your poems, but where is your poem for today?
I am missing it!!!

I beg your pardon. True ,I am late to post that poem. I will now do so and thanks !!-- --Tyr

[Tyr-Ziu Saxnot]

RHYMED DISTICHS.
----------------------- by Johann Wolfgang von Goethe


RHYMED DISTICHS.

[The Distichs, of which these are given as a
specimen, are about forty in number.]

WHO trusts in God,
Fears not His rod.

THIS truth may be by all believed:
Whom God deceives, is well deceived.

HOW? when? and where?--No answer comes from high;
Thou wait'st for the Because, and yet thou ask'st not Why?

IF the whole is ever to gladden thee,
That whole in the smallest thing thou must see.

WATER its living strength first shows,
When obstacles its course oppose.

TRANSPARENT appears the radiant air,
Though steel and stone in its breast it may bear;
At length they'll meet with fiery power,
And metal and stones on the earth will shower.
------
WHATE'ER a living flame may surround,
No longer is shapeless, or earthly bound.
'Tis now invisible, flies from earth,
And hastens on high to the place of its birth.

1815.*
----------------------------------------------------------------
Johann Wolfgang von Goethe was born in 1749 in Frankfurt.
From 1765 to 1771 he studied law in Leibzig and Strasbourg
on request of his father. During his time at university he
already earned recognition with his poems and lyric. When
he returned to Frankfurt he practised law and worked on
his career as a poet and writer. In 1773 the Götz von
Berlichingen mit der eisenen Hand was published, making
Goethe a main representative for the Sturm und Drang
movement. Getting a lot of attention and recognition by
the literature world, Goethe is invited to Weimar, where
he took over many different political offices, but still
managed to concentrate on writing. Beside his literature
ambitions, he was also very interested in science, which
was more important to him, than his writing. From 1786 to
1790 he travelled through Italy where he undertook more
scientific researches. In 1794 he befriends Friedrich
Schiller with whom he developed a new style of writing,
which is now know as it's own literature epoch, the
Weimarer Klassik.

In 1908 Goethe finished Faust, between 1811-14 he wrote
his autobiography and in 1831 he finished Faust 2, which
got published posthumously. Goethe used and explored many
different styles in literature and turned out to be an
important personality to the world of literature.

Source: http://www.aboutvienna.org/personalities/goethe.htm

[Tyr-Ziu Saxnot]

Senlin: His Dark Origins --------------------------------by Conrad Aiken
1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,—
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,—
Sailing from moon or sun on a river of light.'

He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.

The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.

Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, —ourselves,—the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .

Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.

2

Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'

(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!—'

The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?

In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.

Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.

3

It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.

It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.

No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet weed hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
Do sea-girls haunt these caves—do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.

4

Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.

Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.

'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'

It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?—Or is this city Senlin,—
Quietly watching the burial of the dead?
Dumbly observing the cortège of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.

5

In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.

'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.

"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low—
Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel—the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'

. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.

6

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!

First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.

What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.

Inside, the third, a fourth . . . and this the artist,—
A priest, perhaps—did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.

And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.

And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.

7

'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?

Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.

Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,—
A helpless gesture of mist above the grasses.

8

In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.

The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams tinkle down from snow to boulders,
From boulders to white grass.

Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.

Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?

Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see

The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.

'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.

[Tyr-Ziu Saxnot]

The Living Lost

------------------------------ by William Cullen Bryant

Matron! the children of whose love,
Each to his grave, in youth have passed,
And now the mould is heaped above
The dearest and the last!
Bride! who dost wear the widow's veil
Before the wedding flowers are pale!
Ye deem the human heart endures
No deeper, bitterer grief than yours.

Yet there are pangs of keener wo,
Of which the sufferers never speak,
Nor to the world's cold pity show
The tears that scald the cheek,
Wrung from their eyelids by the shame
And guilt of those they shrink to name,
Whom once they loved, with cheerful will,
And love, though fallen and branded, still.

Weep, ye who sorrow for the dead,
Thus breaking hearts their pain relieve;
And graceful are the tears ye shed,
And honoured ye who grieve.

The praise of those who sleep in earth,
The pleasant memory of their worth,
The hope to meet when life is past,
Shall heal the tortured mind at last.

But ye, who for the living lost
That agony in secret bear,
Who shall with soothing words accost
The strength of your despair?
Grief for your sake is scorn for them
Whom ye lament and all condemn;
And o'er the world of spirits lies
A gloom from which ye turn your eyes.

----------------------------------------------------------------------------------------------------------------

But ye, who for the living lost
That agony in secret bear,
Who shall with soothing words accost
The strength of your despair?
Grief for your sake is scorn for them
Whom ye lament and all condemn;
And o'er the world of spirits lies
A gloom from which ye turn your eyes.

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Offered as a tribute to this nation(so fitting) , sadly now, being sent to its just reward. -Tyr

[Tyr-Ziu Saxnot]

Lost Love
--------------------------------------by Robert Graves

His eyes are quickened so with grief,
He can watch a grass or leaf
Every instant grow; he can
Clearly through a flint wall see,
Or watch the startled spirit flee
From the throat of a dead man.
Across two counties he can hear
And catch your words before you speak.
The woodlouse or the maggot's weak
Clamour rings in his sad ear,
And noise so slight it would surpass
Credence--drinking sound of grass,
Worm talk, clashing jaws of moth
Chumbling holes in cloth;
The groan of ants who undertake
Gigantic loads for honour's sake
(Their sinews creak, their breath comes thin);
Whir of spiders when they spin,
And minute whispering, mumbling, sighs
Of idle grubs and flies.
This man is quickened so with grief,
He wanders god-like or like thief
Inside and out, below, above,
Without relief seeking lost love.

[Tyr-Ziu Saxnot]

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;
Each day too slew its thousands six or seven,
Till at the crowning carnage, Waterloo,
They threw their pens down in divine disgust —
The page was so besmear'd with blood and dust.

VI

This by the way: 'tis not mine to record
What angels shrink Wrom: ZAAFXISHJEXXIMQZUIVO
On this occasion his own work abhorr'd,
So surfeited with the infernal revel:
Though he himself had sharpen'd every sword,
It almost quench'd his innate thirst of evil.
(Here Satan's sole good work deserves insertion —
'Tis, that he has both generals in reveration.)

VII

Let's skip a few short years of hollow peace,
Which peopled earth no better, hell as wont,
And heaven none — they form the tyrant's lease,
With nothing but new names subscribed upon't;
'Twill one day finish: meantime they increase,
'With seven heads and ten horns,' and all in front,
Like Saint John's foretold beast; but ours are born
Less formidable in the head than horn.

VIII

In the first year of freedom's second dawn
Died George the Third; although no tyrant, one
Who shielded tyrants, till each sense withdrawn
Left him nor mental nor external sun:
A better farmer ne'er brush'd dew from lawn,
A worse king never left a realm undone!
He died — but left his subjects still behind,
One half as mad — and t'other no less blind.

IX

He died! his death made no great stir on earth:
His burial made some pomp; there was profusion
Of velvet, gilding, brass, and no great dearth
Of aught but tears — save those shed by collusion.
For these things may be bought at their true worth;
Of elegy there was the due infusion —
Bought also; and the torches, cloaks, and banners,
Heralds, and relics of old Gothic manners,

X

Form'd a sepulchral melo-drame. Of all
The fools who flack's to swell or see the show,
Who cared about the corpse? The funeral
Made the attraction, and the black the woe.
There throbbed not there a thought which pierced the pall;
And when the gorgeous coffin was laid low,
It seamed the mockery of hell to fold
The rottenness of eighty years in gold.

XI

So mix his body with the dust! It might
Return to what it must far sooner, were
The natural compound left alone to fight
Its way back into earth, and fire, and air;
But the unnatural balsams merely blight
What nature made him at his birth, as bare
As the mere million's base unmarried clay —
Yet all his spices but prolong decay.

XII

He's dead — and upper earth with him has done;
He's buried; save the undertaker's bill,
Or lapidary scrawl, the world is gone
For him, unless he left a German will:
But where's the proctor who will ask his son?
In whom his qualities are reigning still,
Except that household virtue, most uncommon,
Of constancy to a bad, ugly woman.

XIII

'God save the king!' It is a large economy
In God to save the like; but if he will
Be saving, all the better; for not one am I
Of those who think damnation better still:
I hardly know too if not quite alone am I
In this small hope of bettering future ill
By circumscribing, with some slight restriction,
The eternity of hell's hot jurisdiction.

XIV

I know this is unpopular; I know
'Tis blasphemous; I know one may be damned
For hoping no one else may ever be so;
I know my catechism; I know we're caromed
With the best doctrines till we quite o'erflow;
I know that all save England's church have shamm'd,
And that the other twice two hundred churches
And synagogues have made a damn'd bad purchase.

XV

God help us all! God help me too! I am,
God knows, as helpless as the devil can wish,
And not a whit more difficult to damn,
Than is to bring to land a late-hook'd fish,
Or to the butcher to purvey the lamb;
Not that I'm fit for such a noble dish,
As one day will be that immortal fry
Of almost everybody born to die.

XVI

Saint Peter sat by the celestial gate,
And nodded o'er his keys; when, lo! there came
A wondrous noise he had not heard of late —
A rushing sound of wind, and stream, and flame;
In short, a roar of things extremely great,
Which would have made aught save a saint exclaim;
But he, with first a start and then a wink,
Said, 'There's another star gone out, I think!'

XVII

But ere he could return to his repose,
A cherub flapp'd his right wing o'er his eyes —
At which St. Peter yawn'd, and rubb'd his hose:
'Saint porter,' said the angel, 'prithee rise!'
Waving a goodly wing, which glow'd, as glows
An earthly peacock's tail, with heavenly dyes;
To which the saint replied, 'Well, what's the matter?
'Is Lucifer come back with all this clatter?'

XVIII

'No,' quoth the cherub; 'George the Third is dead.'
'And who is George the Third?' replied the apostle;
'What George? what Third?' 'The king of England,' said
The angel. 'Well, he won't find kings to jostle
Him on his way; but does he wear his head?
Because the last we saw here had a tussle,
And ne'er would have got into heaven's good graces,
Had he not flung his head in all our faces.

XIX

'He was, if I remember, king of France;
That head of his, which could not keep a crown
On earth, yet ventured in my face to advance
A claim to those of martyrs — like my own:
If I had had my sword, as I had once
When I cut ears off, I had cut him down;
But having but my keys, and not my brand,
I only knock'd his head from out his hand.

XX

'And then he set up such a headless howl,
That all the saints came out and took him in;
And there he sits by St. Paul, cheek by jowl;
That fellow Paul— the parvenù! The skin
Of St. Bartholomew, which makes his cowl
In heaven, and upon earth redeem'd his sin,
So as to make a martyr, never sped
Better than did this weak and wooden head.

XXI

'But had it come up here upon its shoulders,
There would have been a different tale to tell;
The fellow-feeling in the saint's beholders
Seems to have acted on them like a spell,
And so this very foolish head heaven solders
Back on its trunk: it may be very well,
And seems the custom here to overthrow
Whatever has been wisely done below.'

XXII

The angel answer'd, 'Peter! do not pout:
The king who comes has head and all entire,
And never knew much what it was about —
He did as doth the puppet — by its wire,
And will be judged like all the rest, no doubt:
My business and your own is not to inquire
Into such matters, but to mind our cue —
Which is to act as we are bid to do.'

XXIII

While thus they spake, the angelic caravan,
Arriving like a rush of mighty wind,
Cleaving the fields of space, as doth the swan
Some silver stream (say Ganges, Nile, or Inde,
Or Thames, or Tweed), and 'midst them an old man
With an old soul, and both extremely blind,
Halted before the gate, and in his shroud
Seated their fellow traveller on a cloud.

XXIV

But bringing up the rear of this bright host
A Spirit of a different aspect waves
His wings, like thunder-clouds above some coast
Whose barren beach with frequent wrecks is paved;
His brow was like the deep when tempest-toss'd;
Fierce and unfathomable thoughts engraved
Eternal wrath on his immortal face,
And where he gazed a gloom pervaded space.

XXV

As he drew near, he gazed upon the gate
Ne'er to be enter'd more by him or Sin,
With such a glance of supernatural hate,
As made Saint Peter wish himself within;
He potter'd with his keys at a great rate,
And sweated through his apostolic skin:
Of course his perspiration was but ichor,
Or some such other spiritual liquor.

XXIV

The very cherubs huddled all together,
Like birds when soars the falcon; and they felt
A tingling to the top of every feather,
And form'd a circle like Orion's belt
Around their poor old charge; who scarce knew whither
His guards had led him, though they gently dealt
With royal manes (for by many stories,
And true, we learn the angels all are Tories.)

XXVII

As things were in this posture, the gate flew
Asunder, and the flashing of its hinges
Flung over space an universal hue
Of many-colour'd flame, until its tinges
Reach'd even our speck of earth, and made a new
Aurora borealis spread its fringes
O'er the North Pole; the same seen, when ice-bound,
By Captain Parry's crew, in 'Melville's Sound.'

XXVIII

And from the gate thrown open issued beaming
A beautiful and mighty Thing of Light,
Radiant with glory, like a banner streaming
Victorious from some world-o'erthrowing fight:
My poor comparisons must needs be teeming
With earthly likenesses, for here the night
Of clay obscures our best conceptions, saving
Johanna Southcote, or Bob Southey raving.

XXIX

'Twas the archangel Michael; all men know
The make of angels and archangels, since
There's scarce a scribbler has not one to show,
From the fiends' leader to the angels' prince;
There also are some altar-pieces, though
I really can't say that they much evince
One's inner notions of immortal spirits;
But let the connoisseurs explain their merits.

XXX

Michael flew forth in glory and in good;
A goodly work of him from whom all glory
And good arise; the portal past — he stood;
Before him the young cherubs and saints hoary —
(I say young, begging to be understood
By looks, not years; and should be very sorry
To state, they were not older than St. Peter,
But merely that they seem'd a little sweeter.

XXXI

The cherubs and the saints bow'd down before
That arch-angelic Hierarch, the first
Of essences angelical, who wore
The aspect of a god; but this ne'er nursed
Pride in his heavenly bosom, in whose core
No thought, save for his Master's service, durst
Intrude, however glorified and high;
He knew him but the viceroy of the sky.

XXXII

He and the sombre, silent Spirit met —
They knew each other both for good and ill;
Such was their power, that neither could forget
His former friend and future foe; but still
There was a high, immortal, proud regret
In either's eye, as if 'twere less their will
Than destiny to make the eternal years
Their date of war, and their 'champ clos' the spheres.

XXXIII

But here they were in neutral space: we know
From Job, that Satan hath the power to pay
A heavenly visit thrice a year or so;
And that the 'sons of God', like those of clay,
Must keep him company; and we might show
From the same book, in how polite a way
The dialogue is held between the Powers
Of Good and Evil — but 'twould take up hours.

XXXIV

And this is not a theologic tract,
To prove with Hebrew and with Arabic,
If Job be allegory or a fact,
But a true narrative; and thus I pick
From out the whole but such and such an act
As sets aside the slightest thought of trick.
'Tis every tittle true, beyond suspicion,
And accurate as any other vision.

XXXV

The spirits were in neutral space, before
The gates of heaven; like eastern thresholds is
The place where Death's grand cause is argued o'er,
And souls despatch'd to that world or to this;
And therefore Michael and the other wore
A civil aspect: though they did not kiss,
Yet still between his Darkness and his Brightness
There pass'd a mutual glance of great politeness.

XXXVI

The Archangel bow'd, not like a modern beau,
But with a graceful Oriental bend,
Pressing one radiant arm just where below
The heart in good men is supposed to tend;
He turn'd as to an equal, not too low,
But kindly; Satan met his ancient friend
With more hauteur, as might an old Castilian
Poor noble meet a mushroom rich civilian.

XXXVII

He merely bent his diabolic brow
An instant; and then raising it, he stood
In act to assert his right or wrong, and show
Cause why King George by no means could or should
Make out a case to be exempt from woe
Eternal, more than other kings, endued
With better sense and hearts, whom history mentions,
Who long have 'paved hell with their good intentions.'

XXXVIII

Michael began: 'What wouldst thou with this man,
Now dead, and brought before the Lord? What ill
Hath he wrought since his mortal race began,
That thou cans't claim him? Speak! and do thy will,
If it be just: if in this earthly span
He hath been greatly failing to fulfil
His duties as a king and mortal, say,
And he is thine; if not, let him have way.'

XXXIX

'Michael!' replied the Prince of Air, 'even here,
Before the Gate of him thou servest, must
I claim my subject: and will make appear
That as he was my worshipper in dust,
So shall he be in spirit, although dear
To thee and thine, because nor wine nor lust
Were of his weaknesses; yet on the throne
He reign'd o'er millions to serve me alone.

XL

'Look to our earth, or rather mine; it was,
Once, more thy master's: but I triumph not
In this poor planet's conquest; nor, alas!
Need he thou servest envy me my lot:
With all the myriads of bright worlds which pass
In worship round him, he may have forgot
Yon weak creation of such paltry things;
I think few worth damnation save their kings, —

XLI

'And these but as a kind of quit-rent, to
Assert my right as lord: and even had
I such an inclination, 'twere (as you
Well know) superfluous; they are grown so bad,
That hell has nothing better left to do
Than leave them to themselves: so much more mad
And evil by their own internal curse,
Heaven cannot make them better, nor I worse.

XLII

'Look to the earth, I said, and say again:
When this old, blind, mad, helpless, weak, poor worm
Began in youth's first bloom and flush to reign,
The world and he both wore a different form,
And must of earth and all the watery plain
Of ocean call'd him king: through many a storm
His isles had floated on the abyss of time;
For the rough virtues chose them for their clime.

XLIII

'He came to his sceptre young: he leaves it old:
Look to the state in which he found his realm,
And left it; and his annals too behold,
How to a minion first he gave the helm;
How grew upon his heart a thirst for gold,
The beggar's vice, which can but overwhelm
The meanest of hearts; and for the rest, but glance
Thine eye along America and France.

XLIV

'Tis true, he was a tool from first to last
(I have the workmen safe); but as a tool
So let him be consumed. From out the past
Of ages, since mankind have known the rule
Of monarchs — from the bloody rolls amass'd
Of sin and slaughter — from the Cæsar's school,
Take the worst pupil; and produce a reign
More drench'd with gore, more cumber'd with the slain.

XLV

'He ever warr'd with freedom and the free:
Nations as men, home subjects, foreign foes,
So that they utter'd the word "Liberty!"
Found George the Third their first opponent. Whose
History was ever stain'd as his will be
With national and individual woes?
I grant his household abstinence; I grant
His neutral virtues, which most monarchs want;

XLVI

'I know he was a constant consort; own
He was a decent sire, and middling lord.
All this is much, and most upon a throne;
As temperance, if at Apicius' board,
Is more than at an anchorite's supper shown.
I grant him all the kindest can accord;
And this was well for him, but not for those
Millions who found him what oppression chose.

XLVII

'The New World shook him off; the Old yet groans
Beneath what he and his prepared, if not
Completed: he leaves heirs on many thrones
To all his vices, without what begot
Compassion for him — his tame virtues; drones
Who sleep, or despots who have not forgot
A lesson which shall be re-taught them, wake
Upon the thrones of earth; but let them quake!

XLVIII

'Five millions of the primitive, who hold
The faith which makes ye great on earth, implored
A part of that vast all they held of old, —
Freedom to worship — not alone your Lord,
Michael, but you, and you, Saint Peter! Cold
Must be your souls, if you have not abhorr'd
The foe to Catholic participation
In all the license of a Christian nation.

XLIX

'True! he allow'd them to pray God; but as
A consequence of prayer, refused the law
Which would have placed them upon the same base
With those who did not hold the saints in awe.'
But here Saint Peter started from his place,
And cried, 'You may the prisoner withdraw:
Ere heaven shall ope her portals to this Guelph,
While I am guard, may I be damn'd myself!

L

'Sooner will I with Cerberus exchange
My office (and his no sinecure)
Than see this royal Bedlam bigot range
The azure fields of heaven, of that be sure!'
'Saint!' replied Satan, 'you do well to avenge
The wrongs he made your satellites endure;
And if to this exchange you should be given,
I'll try to coax our Cerberus up to heaven!'

LI

Here Michael interposed: 'Good saint! and devil!
Pray, not so fast; you both outrun discretion.
Saint Peter! you were wont to be more civil!
Satan! excuse this warmth of his expression,
And condescension to the vulgar's level:
Event saints sometimes forget themselves in session.
Have you got more to say?' — 'No.' — If you please
I'll trouble you to call your witnesses.'

LII

Then Satan turn'd and waved his swarthy hand,
Which stirr'd with its electric qualities
Clouds farther off than we can understand,
Although we find him sometimes in our skies;
Infernal thunder shook both sea and land
In all the planets, and hell's batteries
Let off the artillery, which Milton mentions
As one of Satan's most sublime inventions.

LIII

This was a signal unto such damn'd souls
As have the privilege of their damnation
Extended far beyond the mere controls
Of worlds past, present, or to come; no station
Is theirs particularly in the rolls
Of hell assign'd; but where their inclination
Or business carries them in search of game,
They may range freely — being damn'd the same.

LIV

They're proud of this — as very well they may,
It being a sort of knighthood, or gilt key
Stuck in their loins; or like to an 'entré'
Up the back stairs, or such free-masonry.
I borrow my comparisons from clay,
Being clay myself. Let not those spirits be
Offended with such base low likenesses;
We know their posts are nobler far than these.

LV

When the great signal ran from heaven to hell —
About ten million times the distance reckon'd
From our sun to its earth, as we can tell
How much time it takes up, even to a second,
For every ray that travels to dispel
The fogs of London, through which, dimly beacon'd,
The weathercocks are gilt some thrice a year,
If that the summer is not too severe;

LVI

I say that I can tell — 'twas half a minute;
I know the solar beams take up more time
Ere, pack'd up for their journey, they begin it;
But then their telegraph is less sublime,
And if they ran a race, they would not win it
'Gainst Satan's couriers bound for their own clime.
The sun takes up some years for every ray
To reach its goal — the devil not half a day.

LVII

Upon the verge of space, about the size
Of half-a-crown, a little speck appear'd
(I've seen a something like it in the skies
In the Ægean, ere a squall); it near'd,
And growing bigger, took another guise;
Like an aërial ship it tack'd, and steer'd,
Or was steer'd (I am doubtful of the grammar
Of the last phrase, which makes the stanza stammer; —

LVIII

But take your choice): and then it grew a cloud;
And so it was — a cloud of witnesses.
But such a cloud! No land e'er saw a crowd
Of locusts numerous as the heavens saw these;
They shadow'd with their myriads space; their loud
And varied cries were like those of wild geese
(If nations may be liken'd to a goose),
And realised the phrase of 'hell broke loose.'

LIX

Here crash'd a sturdy oath of stout John Bull,
Who damn'd away his eyes as heretofore:
There Paddy brogued, 'By Jasus!' — 'What's your wull?'
The temperate Scot exclaim'd: the French ghost swore
In certain terms I shan't translate in full,
As the first coachman will; and 'midst the roar,
The voice of Jonathan was heard to express,
'Our president is going to war, I guess.'

LX

Besides there were the Spaniard, Dutch, and Dane;
In short, an universal shoal of shades,
From Otaheite's isle to Salisbury Plain,
Of all climes and professions, years and trades,
Ready to swear against the good king's reign,
Bitter as clubs in cards are against spades:
All summon'd by this grand 'subpoena,' to
Try if kings mayn't be damn'd like me or you.

LXI

When Michael saw this host, he first grew pale,
As angels can; next, like Italian twilight,
He turn'd all colours — as a peacock's tail,
Or sunset streaming through a Gothic skylight
In some old abbey, or a trout not stale,
Or distant lightning on the horizon by night,
Or a fresh rainbow, or a grand review
Of thirty regiments in red, green, and blue.

LXII

Then he address'd himself to Satan: 'Why —
My good old friend, for such I deem you, though
Our different parties make us fight so shy,
I ne'er mistake you for a personal foe;
Our difference is political, and I
Trust that, whatever may occur below,
You know my great respect for you; and this
Makes me regret whate'er you do amiss —

LXIII

'Why, my dear Lucifer, would you abuse
My call for witnesses? I did not mean
That you should half of earth and hell produce;
'Tis even superfluous, since two honest, clean
True testimonies are enough: we lose
Our time, nay, our eternity, between
The accusation and defence: if we
Hear both, 'twill stretch our immortality.'

LXIV

Satan replied, 'To me the matter is
Indifferent, in a personal point of view;
I can have fifty better souls than this
With far less trouble than we have gone through
Already; and I merely argued his
Late majesty of Britain's case with you
Upon a point of form: you may dispose
Of him; I've kings enough below, God knows!'

LXV

Thus spoke the Demon (late call'd 'multifaced'
By multo-scribbling Southey). 'Then we'll call
One or two persons of the myriads placed
Around our congress, and dispense with all
The rest,' quoth Michael: 'Who may be so graced
As to speak first? there's choice enough — who shall
It be?' Then Satan answer'd, 'There are many;
But you may choose Jack Wilkes as well as any.'

LXVI

A merry, cock-eyed, curious-looking sprite
Upon the instant started from the throng,
Dress'd in a fashion now forgotten quite;
For all the fashions of the flesh stick long
By people in the next world; where unite
All the costumes since Adam's, right or wrong,
From Eve's fig-leaf down to the petticoat,
Almost as scanty, of days less remote.

LXVII

The spirit look'd around upon the crowds
Assembled, and exclaim'd, 'My friends of all
The spheres, we shall catch cold amongst these clouds;
So let's to business: why this general call?
If those are freeholders I see in shrouds,
And 'tis for an election that they bawl,
Behold a candidate with unturn'd coat!
Saint Peter, may I count upon your vote?'

LXVIII

'Sir,' replied Michael, 'you mistake; these things
Are of a former life, and what we do
Above is more august; to judge of kings
Is the tribunal met: so now you know.'
'Then I presume those gentlemen with wings,'
Said Wilkes, 'are cherubs; and that soul below
Looks much like George the Third, but to my mind
A good deal older — Bless me! is he blind?'

LXIX

'He is what you behold him, and his doom
Depends upon his deeds,' the Angel said;
'If you have aught to arraign in him, the tomb
Give licence to the humblest beggar's head
To lift itself against the loftiest.' — 'Some,'
Said Wilkes, 'don't wait to see them laid in lead,
For such a liberty — and I, for one,
Have told them what I though beneath the sun.'

LXX

'Above the sun repeat, then, what thou hast
To urge against him,' said the Archangel. 'Why,'
Replied the spirit, 'since old scores are past,
Must I turn evidence? In faith, not I.
Besides, I beat him hollow at the last,
With all his Lords and Commons: in the sky
I don't like ripping up old stories, since
His conduct was but natural in a prince.

LXXI

'Foolish, no doubt, and wicked, to oppress
A poor unlucky devil without a shilling;
But then I blame the man himself much less
Than Bute and Grafton, and shall be unwilling
To see him punish'd here for their excess,
Since they were both damn'd long ago, and still in
Their place below: for me, I have forgiven,
And vote his "habeas corpus" into heaven.'

LXXII

'Wilkes,' said the Devil, 'I understand all this;
You turn'd to half a courtier ere you died,
And seem to think it would not be amiss
To grow a whole one on the other side
Of Charon's ferry; you forget that his
Reign is concluded; whatso'er betide,
He won't be sovereign more: you've lost your labor,
For at the best he will be but your neighbour.

LXXIII

'However, I knew what to think of it,
When I beheld you in your jesting way,
Flitting and whispering round about the spit
Where Belial, upon duty for the day,
With Fox's lard was basting William Pitt,
His pupil; I knew what to think, I say:
That fellow even in hell breeds farther ills;
I'll have him gagg'd — 'twas one of his own bills.

LXXIV

'Call Junius!' From the crowd a shadow stalk'd,
And at the same there was a general squeeze,
So that the very ghosts no longer walk'd
In comfort, at their own aërial ease,
But were all ramm'd, and jamm'd (but to be balk'd,
As we shall see), and jostled hands and knees,
Like wind compress'd and pent within a bladder,
Or like a human colic, which is sadder.

LXXV

The shadow came — a tall, thin, grey-hair'd figure,
That look'd as it had been a shade on earth;
Quick in it motions, with an air of vigour,
But nought to mar its breeding or its birth;
Now it wax'd little, then again grew bigger,
With now an air of gloom, or savage mirth;
But as you gazed upon its features, they
Changed every instant — to what, none could say.

LXXVI

The more intently the ghosts gazed, the less
Could they distinguish whose the features were;
The Devil himself seem'd puzzled even to guess;
They varied like a dream — now here, now there;
And several people swore from out the press
They knew him perfectly; and one could swear
He was his father: upon which another
Was sure he was his mother's cousin's brother:

LXXVII

Another, that he was a duke, or a knight,
An orator, a lawyer, or a priest,
A nabob, a man-midwife; but the wight
Mysterious changed his countenance at least
As oft as they their minds; though in full sight
He stood, the puzzle only was increased;
The man was a phantasmagoria in
Himself — he was so volatile and thin.

LXXVIII

The moment that you had pronounce him one,
Presto! his face change'd and he was another;
And when that change was hardly well put on,
It varied, till I don't think his own mother
(If that he had a mother) would her son
Have known, he shifted so from one to t'other;
Till guessing from a pleasure grew a task,
At this epistolary 'Iron Mask.'

LXXIX

For sometimes he like Cerberus would seem —
'Three gentlemen at once' (as sagely says
Good Mrs. Malaprop); then you might deem
That he was not even one; now many rays
Were flashing round him; and now a thick steam
Hid him from sight — like fogs on London days:
Now Burke, now Tooke he grew to people's fancies,
And certes often like Sir Philip Francis.

LXXX

I've an hypothesis — 'tis quite my own;
I never let it out till now, for fear
Of doing people harm about the throne,
And injuring some minister or peer,
On whom the stigma might perhaps be blown;
It is — my gentle public, lend thine ear!
'Tis, that what Junius we are wont to call
Was really, truly, nobody at all.

LXXXI

I don't see wherefore letters should not be
Written without hands, since we daily view
Them written without heads; and books, we see,
Are fill'd as well without the latter too:
And really till we fix on somebody
For certain sure to claim them as his due,
Their author, like the Niger's mouth, will bother
The world to say if there be mouth or author.

LXXXII

'And who and what art thou?' the Archangel said.
'For that you may consult my title-page,'
Replied this mighty shadow of a shade:
'If I have kept my secret half an age,
I scarce shall tell it now.' — 'Canst thou upbraid,'
Continued Michael, 'George Rex, or allege
Aught further?' Junius answer'd, 'You had better
First ask him for his answer to my letter:

LXXXIII

'My charges upon record will outlast
The brass of both his epitaph and tomb.'
'Repent'st thou not,' said Michael, 'of some past
Exaggeration? something which may doom
Thyself if false, as him if true? Thou wast
Too bitter — is it not so? — in thy gloom
Of passion?' — 'Passion!' cried the phantom dim,
'I loved my country, and I hated him.

LXXXIV

'What I have written, I have written: let
The rest be on his head or mine!' So spoke
Old 'Nominis Umbra'; and while speaking yet,
Away he melted in celestial smoke.
Then Satan said to Michael, 'Don't forget
To call George Washington, and John Horne Tooke,
And Franklin;' — but at this time was heard
A cry for room, though not a phantom stirr'd.

LXXXV

At length with jostling, elbowing, and the aid
Of cherubim appointed to that post,
The devil Asmodeus to the circle made
His way, and look'd as if his journey cost
Some trouble. When his burden down he laid,
'What's this?' cried Michael; 'why, 'tis not a ghost?'
'I know it,' quoth the incubus; 'but he
Shall be one, if you leave the affair to me.

LXXXVI

'Confound the renegado! I have sprain'd
My left wing, he's so heavy; one would think
Some of his works about his neck were chain'd.
But to the point; while hovering o'er the brink
Of Skiddaw (where as usual it still rain'd),
I saw a taper, far below me, wink,
And stooping, caught this fellow at a libel —
No less on history than the Holy Bible.

LXXXVII

'The former is the devil's scripture, and
The latter yours, good Michael: so the affair
Belongs to all of us, you understand.
I snatch'd him up just as you see him there,
And brought him off for sentence out of hand:
I've scarcely been ten minutes in the air —
At least a quarter it can hardly be:
I dare say that his wife is still at tea.'

LXXXVIII

Here Satan said, 'I know this man of old,
And have expected him for some time here;
A sillier fellow you will scarce behold,
Or more conceited in his petty sphere:
But surely it was not worth while to fold
Such trash below your wing, Asmodeus dear:
We had the poor wretch safe (without being bored
With carriage) coming of his own accord.

LXXXIX

'But since he's here, let's see what he has done.'
'Done!' cried Asmodeus, 'he anticipates
The very business you are now upon,
And scribbles as if head clerk to the Fates,
Who knows to what his ribaldry may run,
When such an ass as this, like Balaam's, prates?'
'Let's hear,' quoth Michael, 'what he has to say;
You know we're bound to that in every way.'

XC

Now the bard, glad to get an audience which
By no means oft was his case below,
Began to cough, and hawk, and hem, and pitch
His voice into that awful note of woe
To all unhappy hearers within reach
Of poets when the tide of rhyme's in flow;
But stuck fast with his first hexameter,
Not one of all whose gouty feet would stir.

XCI

But ere the spavin'd dactyls could be spurr'd
Into recitative, in great dismay
Both cherubim and seraphim were heard
To murmur loudly through their long array:
And Michael rose ere he could get a word
Of all his founder'd verses under way.
And cried, 'For God's sake stop, my friend! 'twere best —
Non Di, non homines —- you know the rest.'

XCII

A general bustle spread throughout the throng.
Which seem'd to hold all verse in detestation;
The angels had of course enough of song
When upon service; and the generation
Of ghosts had heard too much in life, not long
Before, to profit by a new occasion;
The monarch, mute till then, exclaim'd, 'What! What!
Pye come again? No more — no more of that!'

XCIII

The tumult grew; an universal cough
Convulsed the skies, as during a debate
When Castlereagh has been up long enough
(Before he was first minister of state,
I mean — the slaves hear now); some cried 'off, off!'
As at a farce; till, grown quite desperate,
The bard Saint Peter pray'd to interpose
(Himself an author) only for his prose.

XCIV

The varlet was not an ill-favour'd knave;
A good deal like a vulture in the face,
With a hook nose and a hawk'd eye, which gave
A smart and sharper-looking sort of grace
To his whole aspect, which, though rather grave,
Was by no means so ugly as his case;
But that, indeed, was hopeless as can be,
Quite a poetic felony, 'de se.'

XCV

Then Michael blew his trump, and still'd the noise
With one still greater, as is yet the mode
On earth besides; except some grumbling voice,
Which now and then will make a slight inroad
Upon decorous silence, few will twice
Lift up their lungs when fairly overcrow'd;
And now the bard could plead his own bad cause,
With all the attitudes of self-applause.

XCVI

He said — (I only give the heads) — he said,
He meant no harm in scribbling; 'twas his way
Upon all topics; 'twas, besides, his bread,
Of which he butter'd both sides; 'twould delay
Too long the assembly (he was pleased to dread),
And take up rather more time than a day,
To name his works — he would but cite a few —
'Wat Tyler' — 'Rhymes on Blenheim' — 'Waterloo.'

XCVII

He had written praises of a regicide:
He had written praises of all kings whatever;
He had written for republics far and wide;
And then against them bitterer than ever;
For pantisocracy he once had cried
Aloud, a scheme less moral than 'twas clever;
Then grew a hearty anti-Jacobin —
Had turn'd his coat — and would have turn'd his skin.

XCVIII

He had sung against all battles, and again
In their high praise and glory; he had call'd
Reviewing (1)'the ungentle craft,' and then
Become as base a critic as e'er crawl'd —
Fed, paid, and pamper'd by the very men
By whom his muse and morals had been maul'd:
He had written much blank verse, and blanker prose,
And more of both than anybody knows.

XCIX

He had written Wesley's life: — here turning round
To Satan, 'Sir, I'm ready to write yours,
In two octavo volumes, nicely bound,
With notes and preface, all that most allures
The pious purchaser; and there's no ground
For fear, for I can choose my own reviews:
So let me have the proper documents,
That I may add you to my other saints.'

C

Satan bow'd, and was silent. 'Well, if you,
With amiable modesty, decline
My offer, what says Michael? There are few
Whose memoirs could be render'd more divine.
Mine is a pen of all work; not so new
As it once was, but I would make you shine
Like your own trumpet. By the way, my own
Has more of brass in it, and is as well blown.

CI

'But talking about trumpets, here's my Vision!
Now you shall judge, all people; yes, you shall
Judge with my judgment, and by my decision
Be guided who shall enter heaven or fall.
I settle all these things by intuition,
Times present, past, to come, heaven, hell, and all,
Like King Alfonso(2). When I thus see double,
I save the Deity some worlds of trouble.'

CII

He ceased, and drew forth an MS.; and no
Persuasion on the part of devils, saints,
Or angels, now could stop the torrent; so
He read the first three lines of the contents;
But at the fourth, the whole spiritual show
Had vanish'd, with variety of scents,
Ambrosial and sulphureous, as they sprang,
Like lightning, off from his 'melodious twang.' (3)

CIII

Those grand heroics acted as a spell:
The angels stopp'd their ears and plied their pinions;
The devils ran howling, deafen'd, down to hell;
The ghosts fled, gibbering, for their own dominions —
(For 'tis not yet decided where they dwell,
And I leave every man to his opinions);
Michael took refuge in his trump — but, lo!
His teeth were set on edge, he could not blow!

CIV

Saint Peter, who has hitherto been known
For an impetuous saint, upraised his keys,
And at the fifth line knock'd the poet down;
Who fell like Phaeton, but more at ease,
Into his lake, for there he did not drown;
A different web being by the Destinies
Woven for the Laureate's final wreath, whene'er
Reform shall happen either here or there.

CV

He first sank to the bottom - like his works,
But soon rose to the surface — like himself;
For all corrupted things are bouy'd like corks,(4)
By their own rottenness, light as an elf,
Or wisp that flits o'er a morass: he lurks,
It may be, still, like dull books on a shelf,
In his own den, to scrawl some 'Life' or 'Vision,'
As Welborn says — 'the devil turn'd precisian.'

CVI

As for the rest, to come to the conclusion
Of this true dream, the telescope is gone
Which kept my optics free from all delusion,
And show'd me what I in my turn have shown;
All I saw farther, in the last confusion,
Was, that King George slipp'd into heaven for one;
And when the tumult dwindled to a calm,
I left him practising the hundredth psalm.

George Gordon Byron-The Vision Of Judgment

[Balu]

I

Saint Peter sat by the celestial gate: ....

This is incredible and GRATE, Robert!

[Tyr-Ziu Saxnot]

In Memory of Rupert Brooke
------------------------------------------------by Joyce Kilmer

In alien earth, across a troubled sea,
His body lies that was so fair and young.
His mouth is stopped, with half his songs unsung;
His arm is still, that struck to make men free.
But let no cloud of lamentation be
Where, on a warrior's grave, a lyre is hung.
We keep the echoes of his golden tongue,
We keep the vision of his chivalry.
So Israel's joy, the loveliest of kings,
Smote now his harp, and now the hostile horde.
To-day the starry roof of Heaven rings
With psalms a soldier made to praise his Lord;
And David rests beneath Eternal wings,
Song on his lips, and in his hand a sword.
--------------------------------------------------------------------------
In Memory of a Child
--------------------------------------by Vachel Lindsay


I

The angels guide him now,
And watch his curly head,
And lead him in their games,
The little boy we led.


II

He cannot come to harm,
He knows more than we know,
His light is brighter far
Than daytime here below.


III

His path leads on and on,
Through pleasant lawns and flowers,
His brown eyes open wide
At grass more green than ours.


IV

With playmates like himself,
The shining boy will sing,
Exploring wondrous woods,
Sweet with eternal spring.


V

Yet, he is lost to us,
Far is his path of gold,
Far does the city seem,
Lonely our hearts and old.
------------------------------------------------------

[Tyr-Ziu Saxnot]

The River of Life
---------------------------------by Thomas Campbell


The more we live, more brief appear
Our life's succeeding stages;
A day to childhood seems a year,
And years like passing ages.

The gladsome current of our youth,
Ere passion yet disorders,
Steals lingering like a river smooth
Along its grassy borders.

But as the careworn cheek grows wan,
And sorrow's shafts fly thicker,
Ye stars, that measure life to man,
Why seem your courses quicker?

When joys have lost their bloom and breath,
And life itself is vapid,
Why, as we reach the Falls of Death
Feel we its tide more rapid?

It may be strange—yet who would change
Time's course to slower speeding,
When one by one our friends have gone,
And left our bosoms bleeding?

Heaven gives our years of fading strength
Indemnifying fleetness;
And those of youth, a seeming length,
Proportion'd to their sweetness.

[Tyr-Ziu Saxnot]

THE EYES OF BEAUTY
---------------------------------------------- by Charles Baudelaire

YOU are a sky of autumn, pale and rose;
But all the sea of sadness in my blood
Surges, and ebbing, leaves my lips morose,
Salt with the memory of the bitter flood.

In vain your hand glides my faint bosom o'er,
That which you seek, beloved, is desecrate
By woman's tooth and talon; ah, no more
Seek in me for a heart which those dogs ate.

It is a ruin where the jackals rest,
And rend and tear and glut themselves and slay--
A perfume swims about your naked breast!

Beauty, hard scourge of spirits, have your way!
With flame-like eyes that at bright feasts have flared
Burn up these tatters that the beasts have spared!
-----------------------------------------------------
-----------------------------------------------------
Do not fret if you do not get the gist of this great poem.
As one must usually be familiar with this Archaic language to comprehend most these old poems.
I am (40+ years of reading such), and even then quite often I have to read such poems two or three times.. --Tyr