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    Blog Part Three, On Greek Heroes And Monsters.. - Robert Lindley's Blog
    About Robert Lindley(Show Details...)(Show Details...)


    Blog Part Three, On Greek Heroes And Monsters..
    Blog Posted:6/4/2020 8:48:00 AM


    Classical Greek culture

    The Greeks made important contributions to philosophy, mathematics, astronomy, and medicine.
    Literature and theatre was an important aspect of Greek culture and influenced modern drama.
    The Greeks were known for their sophisticated sculpture and architecture.
    Greek culture influenced the Roman Empire and many other civilizations, and it continues to influence modern cultures today.
    Philosophy and science
    Building on the discoveries and knowledge of civilizations in Egypt and Mesopotamia, among others, the Ancient Greeks developed a sophisticated philosophical and scientific culture. One of the key points of Ancient Greek philosophy was the role of reason and inquiry. It emphasized logic and championed the idea of impartial, rational observation of the natural world.
    The Greeks made major contributions to math and science. We owe our basic ideas about geometry and the concept of mathematical proofs to ancient Greek mathematicians such as Pythagoras, Euclid, and Archimedes. Some of the first astronomical models were developed by Ancient Greeks trying to describe planetary movement, the Earth’s axis, and the heliocentric system—a model that places the Sun at the center of the solar system. Hippocrates, another ancient Greek, is the most famous physician in antiquity. He established a medical school, wrote many medical treatises, and is— because of his systematic and empirical investigation of diseases and remedies—credited with being the founder of modern medicine. The Hippocratic oath, a medical standard for doctors, is named after him.
    Greek philosophical culture is exemplified in the dialogues of Plato, who turned the questioning style of Socrates into written form. Aristotle, Plato's student, wrote about topics as varied as biology and drama.
    Why did Greek philosophers value logic so highly?

    Picture of the painting _School of Athens_ by Raphael.
    Picture of the painting School of Athens by Raphael.
    School of Athens by Raphael. Image credit: Wikimedia
    Art, literature, and theatre
    Literature and theatre, which were very intertwined, were important in ancient Greek society. Greek theatre began in the sixth century BCE in Athens with the performance of tragedy plays at religious festivals. These, in turn, inspired the genre of Greek comedy plays.
    These two types of Greek drama became hugely popular, and performances spread around the Mediterranean and influenced Hellenistic and Roman theatre. The works of playwrights like Sophocles and Aristophanes formed the foundation upon which all modern theatre is based. In fact, while it may seem like dialogue was always a part of literature, it was rare before a playwright named Aeschylus introduced the idea of characters interacting with dialogue. Other theatrical devices, like irony, were exemplified in works like Sophocles’ Oedipus the King.
    In addition to written forms of theater and literature, oral traditions were important, especially in early Greek history. It wasn’t until around 670 BCE that Homer’s epic poems, The Iliad and Odyssey, were compiled into text form.
    Greek art, particularly sculpture and architecture, was also incredibly influential on other societies. Greek sculpture from 800 to 300 BCE took inspiration from Egyptian and Near Eastern monumental art and, over centuries, evolved into a uniquely Greek vision of the art form.
    Greek artists reached a peak of excellence which captured the human form in a way never before seen and much copied. Greek sculptors were particularly concerned with proportion, poise, and the idealized perfection of the human body; their figures in stone and bronze have become some of the most recognizable pieces of art ever produced by any civilization.

    This statue of Eirene, peace, bearing Plutus, wealth is a Roman copy of a Greek votive statue by Kephisodotos which stood on the agora in Athens, Wealth ca. 370 BCE.
    This statue of Eirene, peace, bearing Plutus, wealth is a Roman copy of a Greek votive statue by Kephisodotos which stood on the agora in Athens, Wealth ca. 370 BCE.
    This statue of Eirene, peace, bearing Plutus, wealth is a Roman copy of a Greek votive statue by Kephisodotos which stood on the agora in Athens, Wealth ca. 370 BCE. Image credit: Wikimedia Commons
    Greek architects provided some of the finest and most distinctive buildings in the entire Ancient World and some of their structures— including temples, theatres, and stadia—would become staple features of towns and cities from antiquity onwards.
    In addition, the Greek concern with simplicity, proportion, perspective, and harmony in their buildings would go on to greatly influence architects in the Roman world and provide the foundation for the classical architectural orders which would dominate the western world from the Renaissance to the present day.
    The legacy of Greek culture
    The civilization of ancient Greece was immensely influential in many spheres: language, politics, educational systems, philosophy, science, and the arts. It had major effects on the Roman Empire which ultimately ruled it. As Horace put it, "Captive Greece took captive her fierce conqueror and instilled her arts in rustic Latium."
    Via the Roman Empire, Greek culture came to be foundational to Western culture in general. The Byzantine Empire inherited Classical Greek culture directly, without Latin intermediation, and the preservation of classical Greek learning in medieval Byzantine tradition exerted strong influence on the Slavs and later on the Islamic Golden Age and the Western European Renaissance. A modern revival of Classical Greek learning took place in the Neoclassicism movement in eighteenth- and nineteenth-century Europe and the Americas.
    Can you think of modern-day art, architecture, or theater that may have been influenced by Greek culture?
    [Notes and attributions]

    ************************************************** ************
    Blog- Part Three, Greek mythology series..
    The following two sonnets represent a past foray into The Heroes And Monsters Of Greek Mythology.
    As they both were inspired by the Thoreau poem cited below...

    The Summer Rain
    Poem by Henry David Thoreau


    My books I'd fain cast off, I cannot read,
    'Twixt every page my thoughts go stray at large
    Down in the meadow, where is richer feed,
    And will not mind to hit their proper targe.

    Plutarch was good, and so was Homer too,
    Our Shakespeare's life were rich to live again,
    What Plutarch read, that was not good nor true,
    Nor Shakespeare's books, unless his books were men.

    Here while I lie beneath this walnut bough,
    What care I for the Greeks or for Troy town,
    If juster battles are enacted now
    Between the ants upon this hummock's crown?

    Bid Homer wait till I the issue learn,
    If red or black the gods will favor most,
    Or yonder Ajax will the phalanx turn,
    Struggling to heave some rock against the host.

    Tell Shakespeare to attend some leisure hour,
    For now I've business with this drop of dew,
    And see you not, the clouds prepare a shower--
    I'll meet him shortly when the sky is blue.

    This bed of herd's grass and wild oats was spread
    Last year with nicer skill than monarchs use.
    A clover tuft is pillow for my head,
    And violets quite overtop my shoes.

    And now the cordial clouds have shut all in,
    And gently swells the wind to say all's well;
    The scattered drops are falling fast and thin,
    Some in the pool, some in the flower-bell.

    I am well drenched upon my bed of oats;
    But see that globe come rolling down its stem,
    Now like a lonely planet there it floats,
    And now it sinks into my garment's hem.

    Drip drip the trees for all the country round,
    And richness rare distills from every bough;
    The wind alone it is makes every sound,
    Shaking down crystals on the leaves below.

    For shame the sun will never show himself,
    Who could not with his beams e'er melt me so;
    My dripping locks--they would become an elf,
    Who in a beaded coat does gaily go.
    BY-- Henry David Thoreau
    **************************************************
    My two offerings...

    Upon Battlefields Fallen True, Their Bloody Dead
    ( Part One )


    For Greek pride the courageous Greeks warriors bled
    Upon battlefields fallen true, their bloody dead
    Thus many, from Greek mothers loving hearts were torn
    Raised to be Greek heroes from day they were born.

    Those giants brave and true as Homer did so write
    Marching, fighting both by weary day and dark night
    Shields held firm, plunging deep-red sharp sword and long spears
    As fighting machines bereft of concerns and fears!

    Achilles and Ajax mighty killers born to be
    Destined as heroes, of valiant Greek tree
    Godlike power in limbs of Herculean might
    As was told by Homer's tale of Troy's last great fight!

    For Greek pride the courageous Greeks warriors bled
    Upon battlefields fallen true, their bloody dead!

    Robert J. Lindley, 6-26-2019
    Sonnet, ( What my muse just demanded of me )



    Upon Battlefields Fallen True, Their Bloody Dead
    ( Part Two )


    Fallen, courageous souls fleeing blood soaked soils
    Battles no longer fought, long dark veil coming down.
    Cessation of Life its pleasures, its daily toils
    Small tis the reward of fame and hero's renown.

    Yet such better than oblivion's return to dust
    As life's ending, oft the payment for warring deeds.
    Sacrifices for others power, greed and lusts
    War torn ground soaked from brave warriors that bleed.

    What of Greek pride or mighty heroic defense
    Were not some deeds worthy, justified?
    Are we more than just raging savages with no sense
    Was heroic sacrifice true of those that died?

    Were not some deeds worthy, justified
    Was heroic sacrifice true of those that died?

    Robert J. Lindley, 7-2-2019
    Sonnet, ( What my muse just demanded of me )
    18 U.S. Code § 2381-Treason Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason and shall suffer death, or shall be imprisoned not less than five years and fined under this title but not less than $10,000; and shall be incapable of holding any office under the United States.

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    Blog on the magnificence of the Romanticism Era in American Poetry
    Blog Posted:2/13/2021 11:30:00 AM
    Blog on the magnificence of the Romanticism Era in American Poetry




    Poem One:

    Inspired by my reading of -Lady Labyrinth's---magnificent

    -- "Courting the Sublime Significance of Nothingness"




    (1.) Poem One



    Seeking The Boundaries Of Love's Depths And Her Hand



    The air, its surging breath sings

    into the soul of a willing fan

    one that leaves baggage far behind,

    an emboldened adventurer



    Such that looks for rarity

    for the invisible truth

    a soft kiss within a whisper

    a song that invades heart, soul and mind



    Becomes a diviner, an escape artist,

    calm wading ebony seas of despair

    jealous of only Time

    envious of only beauty

    fearful of enormity of mortal blindness



    What curses may the shadows then utter

    the pains of life and a dark pit

    nay, such does not faze

    the hardy, the faithful, the true seeker



    Alas! So recites the ailing poet

    lost amidst memories long fled

    begging the stars to shine again

    the heavens to gift

    Love, deep love , sweet love

    and the divine tastes of her love



    Dare the Gods such deny

    risking vanity and hateful mortal wrath

    inked curses and paper cuts to hardened hearts

    not so, for the seeker - lives to seek

    to touch her lips

    to into bliss fairly fall



    And should such treasure be gained

    die as a humble servant to fate

    without regret.

    without of arrows malice,

    shot at invisible beasts

    under a dying moon and a wicked host



    Fanciful the imagination and poet's heart

    mixing of dreams and elusive elements

    self-aggrandizing, a warrior

    combating invisible foes

    stabbed by those eyeless ghosts

    crying into wounded nights and fading lights



    Aye, this and more- the seeker finds

    never the eternity of lost love

    the infinity of peace and joy

    the heart of her

    the touch of her

    the depths of love only she gifts



    And at last, the poet begs Aphrodite

    to this life extinguish

    for without love

    without warmth

    without her return

    the universes exists not…

    dying embers in finality embrace the cold

    yielding in sorrows to the darkness, to its empty cries…



    Robert J. Lindley, 2-10-2021

    Romanticism

    ( Inspiration found, a memory revisited, a truth accepted )

    Poem number one-- my new blog






    (2.)



    Sight Of Gazing At Those Gleaming-Bright Newborn Rainbow Hues



    Sweetness and splendor of Nature's beauty- The Rose

    Imagination, myriad paths, life we each chose

    Hopes and dear dreams, glory of love and life we seek

    Enormity of choices, traversing this realm, scaling its mighty peaks

    Curse of mortality, these flesh and bone cast bodies so weak!



    Sight of gazing at those gleaming-bright newborn rainbow hues

    Splendor and immense bounty of flowing skies, shining blues

    Man's vanity that invades to set us on darken paths

    Woes and sorrows, birthed by Fate's accursed wraths

    Man's science, ingenuity, greed and love affair with math.



    Humanity- earth's wonders its bounties of teeming throngs

    The Arts- beauty of poetry, literature and majestic songs

    Life, oft a cup gathered into warm welcoming hands

    Honor, duty, the task of taking hard defiant stands

    The unpredictability of Time's falling sands.



    Yet dare we forget that life demands truth and sincere love

    For the rose may prick if plucked without the needed gloves

    In youth, those honey-eyed dreams of hot romantic nights

    Lovely maiden gifting her jewels her sexual delights

    That which a brief moment may overcome world's darkest blights.



    Sweetness and splendor of Nature's beauty- The Rose

    Imagination, myriad paths, life we each chose

    Hopes and dear dreams, glory of love and life we seek

    Enormity of choices, traversing this realm, scaling its mighty peaks

    Curse of mortality, these flesh and bone cast bodies so weak!



    Robert J. Lindley, 2-12-2021

    Romanticism, ( Of mortality, love, literature, poetry and the Arts )

    From blog- "Blog: On The Romanticism Era In American Poetry"




    ******

    (3.)



    Dare We Wake To Wade In Life's Luscious New Streams



    As dawn comes singing and gifts its soft golden beams

    Dare we wake to wade in life's luscious new streams

    Shall we welcome with ardor of lover and friend

    With truth and hope forgive those that only pretend

    For what is life, if we but such grace dare refuse

    Man was given the honor to in life so choose.



    Within passion's deep gifts, love such great treasures gives.

    As soothing balm, in the beauty of all that lives.



    Can our dreams this dark raging world evil subside

    Conquer its demons, its wicked devilish pride

    Set a new course in which hope and love may flourish

    Seed romanticism that our spirits so nourish

    Bring on faith, that our crying souls should so cherish.



    Within passion's deep gifts, love such great treasures gives.

    As soothing balm, in the beauty of all that lives.



    As dawn comes singing and gifts its soft golden beams.

    Dare we wake to wade in life's luscious new streams.



    Robert J. Lindley, 2-13-2021

    Romanticism, ( Of mortality, love, literature, poetry and the Arts )

    From blog- "Blog: On The Romanticism Era In American Poetry"




    ******

    Blog: On The Romanticism Era In American Poetry

    (1.)

    https://sites.google.com/site/usingl...riod-1800-1840



    American Literature: The Dream

    Home

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    Experience the Dream Across Literary Periods‎ > ‎Literary Periods in Chronological Order‎ > ‎Native American Literature (Undetermined-1650)‎ > ‎The Colonial Period (1650-1800)‎ > ‎

    The Romantic Period (1800-1840)

    The Romantic Period (1800-1840)

    Romanticism (or the Romantic era/Period) was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1840. Partly a reaction to the Industrial Revolution, it was also a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education and the natural sciences. Its effect on politics was considerable, and complex; while for much of the peak Romantic period it was associated with liberalism and radicalism, in the long term its effect on the growth of nationalism was probably more significant.





    The movement validated strong emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as apprehension, horror and terror, and awe—especially that which is experienced in confronting the sublimity of untamed nature and its picturesque qualities, both new aesthetic categories. It elevated folk art and ancient custom to something noble, made spontaneity a desirable characteristic (as in the musical impromptu), and argued for a "natural" epistemology of human activities as conditioned by nature in the form of language and customary usage. Romanticism reached beyond the rational and Classicist ideal models to elevate a revived medievalism and elements of art and narrative perceived to be authentically medieval in an attempt to escape the confines of population growth, urban sprawl, and industrialism, and it also attempted to embrace the exotic, unfamiliar, and distant in modes more authentic than Rococo chinoiserie, harnessing the power of the imagination to envision and to escape.



    Although the movement was rooted in the German Sturm und Drang movement, which prized intuition and emotion over Enlightenment rationalism, the ideologies and events of the French Revolution laid the background from which both Romanticism and the Counter-Enlightenment emerged. The confines of the Industrial Revolution also had their influence on Romanticism, which was in part an escape from modern realities; indeed, in the second half of the 19th century, "Realism" was offered as a polarized opposite to Romanticism. Romanticism elevated the achievements of what it perceived as heroic individualists and artists, whose pioneering examples would elevate society. It also legitimized the individual imagination as a critical authority, which permitted freedom from classical notions of form in art. There was a strong recourse to historical and natural inevitability, a Zeitgeist, in the representation of its ideas.



    Washington Irving

    Washington Irving was an American author who composed a collection of stories that became The Sketch Book (1819), which included "Rip Van Winkle" and "The Legend of Sleepy Hollow." After serving as a US ambassador, he turned out a succession of historical and biographical works. Irving advocated for writing as a legitimate career, and argued for laws to protect writers from copyright infringement.



    Perhaps best known for his short stories "The Legend of Sleepy Hollow" and "Rip Van Winkle," Washington Irving was born on April 3, 1783 in New York City, New York, USA. He was one of eleven children born to Scottish-English immigrant parents, William Irving, Sr. and Sarah. He was named Washington after the hero of the American revolution (which had just ended),George Washington, and attended the first presidential inauguration of his namesake in 1789.





    Washington Irving was educated privately, studied law, and began to write essays for periodicals. He travelled in France and Italy (1804–6), wrote whimsical journals and letters, then returned to New York City to practice law -- though by his own admission, he was not a good student, and in 1806, he barely passed the bar. He and his brother William Irving and James Kirke Paulding wrote the Salamagundi papers (1807–8), a collection of humorous essays. He first became more widely known for his comic work, A History of New York (1809), written under the name of "Diedrich Knickerbocker."



    In 1815 Irving went to England to work for his brothers' business, and when that failed he composed a collection of stories and essays that became The Sketch Book, published under the name "Geoffrey Crayon" (1819–20), which included ‘Rip Van Winkle’ and ‘The Legend of Sleepy Hollow’. In 1822 he went to the Continent, living in Germany and France for several years, and was then in Spain (1826) and became attache at the US embassy in Madrid. While in Spain he researched for his biography of Christopher Columbus(1828) and his works on Granada (1829) and the Alhambra (1832).



    He was secretary of the US legation in London (1829–32), and later returned to Spain as the US ambassador (1842–6), but he spent most of the rest of his life at his estate, ‘Sunnyside’, near Tarrytown, NY, turning out a succession of mainly historical and biographical works, including a five-volume life of George Washington. Although he became a best-selling author, he never really fully developed as a literary talent, he has retained his reputation as the first American man of letters. Irving also advocated for writing as a legitimate career, and argued for stronger laws to protect writers from copyright infringement.



    William Cullen Bryant

    Bryant was born on November 3, 1794, in a log cabin near Cummington, Massachusetts; the home of his birth is today marked with a plaque. He was the second son of Peter Bryant, a doctor and later a state legislator, and Sarah Snell. His maternal ancestry traces back to passengers on the Mayflower; his father's, to colonists who arrived about a dozen years later.



    Bryant and his family moved to a new home when he was two years old. The William Cullen Bryant Homestead, his boyhood home, is now a museum. After just two years at Williams College, he studied law in Worthington and Bridgewater in Massachusetts, and he was admitted to the bar in 1815. He then began practicing law in nearby Plainfield, walking the seven miles from Cummington every day. On one of these walks, in December 1815, he noticed a single bird flying on the horizon; the sight moved him enough to write "To a Waterfowl".





    Bryant developed an interest in poetry early in life. Under his father's tutelage, he emulated Alexander Pope and other Neo-Classic British poets. The Embargo, a savage attack on President Thomas Jefferson published in 1808, reflected Dr. Bryant's Federalist political views. The first edition quickly sold out—partly because of the publicity earned by the poet's young age—and a second, expanded edition, which included Bryant's translation of Classical verse, was printed. The youth wrote little poetry while preparing to enter Williams College as a sophomore, but upon leaving Williams after a single year and then beginning to read law, he regenerated his passion for poetry through encounter with the English pre-Romantics and, particularly, William Wordsworth.



    The Fireside Poets

    The Fireside poets (also called the "schoolroom" or "household" poets) were the first group of American poets to rival British poets in popularity in either country. Today their verse may seem more Victorian in sensibility than romantic, perhaps overly sentimental or moralizing in tone, but as a group they are notable for their scholarship, political sensibilities, and the resilience of their lines and themes. (Most schoolchildren can recite a line or two from "Paul Revere's Ride" or The Song of Hiawatha.)

    Henry Wadsworth Longfellow, John Greenleaf Whittier, Oliver Wendell Holmes, James Russell Lowell, and William Cullen Bryant are the poets most commonly grouped together under this heading. In general, these poets preferred conventional forms over experimentation, and this attention to rhyme and strict metrical cadences made their work popular for memorization and recitation in classrooms and homes. They are most remembered for their longer narrative poems (Longfellow's Evangeline and Hiawatha, Whittier's Snow-bound) that frequently used American legends and scenes of American home life and contemporary politics (as in Holmes's "Old Ironsides" and Lowell's anti-slavery poems) as their subject matter.





    At the peak of his career, Longfellow's popularity rivaled Tennyson's in England as well as in America, and he was a noted translator and scholar in several languages--in fact, he was the first American poet to be honored with a bust in Westminster Abbey's Poet's Corner. Hiawatha itself draws not only on Native American languages for its rhythmic underpinning, but also echoes the Kalevala, a Finnish epic. Lowell and Whittier, both outspoken liberals and abolitionists, were known for their journalism and work with the fledglingAtlantic Monthly. They did not hesitate to address issues that were divisive and highly charged in their day, and in fact used the sentimental tone in their poems to encourage their audience to consider these issues in less abstract and more personal terms.



    Henry Wadsworth Longfellow

    Henry Wadsworth Longfellow (February 27, 1807 – March 24, 1882) was an American poet and educator whose works include "Paul Revere's Ride", The Song of Hiawatha, and Evangeline. He was also the first American to translate Dante Alighieri's The Divine Comedy and was one of the five Fireside Poets.





    Longfellow was born in Portland, Maine, then part of Massachusetts, and studied at Bowdoin College. After spending time in Europe he became a professor at Bowdoin and, later, at Harvard College. His first major poetry collections were Voices of the Night (1839) and Ballads and Other Poems(1841). Longfellow retired from teaching in 1854 to focus on his writing, living the remainder of his life in Cambridge, Massachusetts, in a former headquarters of George Washington. His first wife, Mary Potter, died in 1835 after a miscarriage. His second wife, Frances Appleton, died in 1861 after sustaining burns when her dress caught fire. After her death, Longfellow had difficulty writing poetry for a time and focused on his translation. He died in 1882.



    Longfellow wrote predominantly lyric poems, known for their musicality and often presenting stories of mythology and legend. He became the most popular American poet of his day and also had success overseas. He has been criticized, however, for imitating European styles and writing specifically for the masses.



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    Lindley Avatar
    Robert
    Lindley
    Date: 2/13/2021 11:59:00 AM
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    https://courses.lumenlearning.com/su...sts-and-poets/ The Romantic Period, 1820–1860: Essayists and Poets Fresh New Vision Electrified Artistic and Intellectual Circles The Romantic movement, which originated in Germany but quickly spread to England, France, and beyond, reached America around the year 1820, some twenty years after William Wordsworth and Samuel Taylor Coleridge had revolutionized English poetry by publishing Lyrical Ballads. In America as in Europe, fresh new vision electrified artistic and intellectual circles.
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    Robert
    Lindley
    Date: 2/13/2021 11:54:00 AM
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    Links: 1. https://literariness.org/2017/11/29/...sm-in-america/ 2. https://poets.org/text/brief-guide-romanticism 3. https://www.britannica.com/list/peri...can-literature 4. https://www.britannica.com/art/Romanticism 5. https://en.wikipedia.org/wiki/Romanticism
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    Robert
    Lindley
    Date: 2/13/2021 11:48:00 AM
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    Romanticism: Hans Christian Andersen, The Little Match Girl The Little Match Girl "Free, free, free! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!" -- Kate Chopin's The Story of an Hour
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    Robert
    Lindley
    Date: 2/13/2021 11:47:00 AM
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    Romanticism: Nathaniel Hawthorne, THe Gorgon's Head The Gorgon's Head "There stood Perseus, a beautiful young man, with golden ringlets and rosy cheeks, the crooked sword by his side, and the brightly polished shield upon his arm,—a figure that seemed all made up of courage, sprightliness, and glorious light." -- Nathaniel Hawthorne's The Gorgon's Head I like to see it lap the miles, And lick the valleys up, And stop to feed itself at tanks; And then, prodigious, step Around a pile of mountains...
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    Robert
    Lindley
    Date: 2/13/2021 11:44:00 AM
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    https://americanliterature.com/romanticism-study-guide Quotes Explain the specific qualities of each quote as an exemplar of Romanticism: "Facts are such horrid things!" -- Jane Austen's Lady Susan I sang of the dancing stars, I sang of the daedal earth, And of heaven, and the giant wars, And love, and death, and birth.” -- Percy Pysshe Shelley's Hymn of Pan And of his fame forgetful! so his fame Should share in nature's immortality, A venerable thing! and so his song Should make all nature lovelier, and itself Be lov'd, like nature!"
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    Robert
    Lindley
    Date: 2/13/2021 11:41:00 AM
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    The Dark Romantics-Gothic Literature The Gothic begins with later-eighteenth-century writers' turn to the past; in the context of the Romantic period, the Gothic is, then, a type of imitation medievalism. By extension, it came to designate the macabre, mysterious, fantastic, supernatural, and, again, the terrifying, especially the pleasurably terrifying, in literature more generally. Edgar Allan Poe Edgar Allan Poe (1809-1849), American poet, critic, short story writer, and author of such macabre works as “The Fall of the House of Usher” (1840).
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    Robert
    Lindley
    Date: 2/13/2021 11:36:00 AM
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    Transcendentalism is a philosophical movement that developed in the 1830s and 1840s in the New England region of the United States as a protest to the general state of culture and society, and in particular, the state of intellectualism at Harvard University and the doctrine of the Unitarian church taught at Harvard Divinity School. Among the transcendentalists' core beliefs was the inherent goodness of both man and nature.
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    Last edited by Tyr-Ziu Saxnot; 02-13-2021 at 03:12 PM.
    18 U.S. Code § 2381-Treason Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason and shall suffer death, or shall be imprisoned not less than five years and fined under this title but not less than $10,000; and shall be incapable of holding any office under the United States.

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    my new blog went--- HOT-- in one day.....

    Always astounds me that these blogs are going to the -HOT- status so very quickly... --Tyr



    Hot Blog New Blog on, Ekphrasis And Its Spurring Quest For Greater Imagery In Verse 6/5/2021 Robert Lindley
    18 U.S. Code § 2381-Treason Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason and shall suffer death, or shall be imprisoned not less than five years and fined under this title but not less than $10,000; and shall be incapable of holding any office under the United States.

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    Blog- To never give up. To "create" new, a short series of poems
    Blog Posted:9/12/2021 9:08:00 AM
    Blog- To not give up. To create new, A series of poems



    Tragic, When Innocence Was Lost And Love Fled

    (Youth, Dreams And Reality Series) number 1.


    Like lake June swans once so were she and I

    Passionate romance money cannot buy

    Coupled and in heart's fervor we stood

    Giving into our fever all we could

    She the flighted arrow, I the strong bow

    In our innocent youth fearing no blows

    Living love's bounty, dreaming wondrous dreams

    In sweet blindness, not seeing world's black schemes.



    O' deepest sorrows why were you thus cast

    Allowing joy to fade away so fast

    Had we not with truest hearts in love fled

    Together, spirit and soul therein wed

    Watching beauty of night's heavenly skies

    World's evils we gave no thought or replies

    Living love's bounty, dreaming wondrous dreams

    In sweet blindness, not seeing world's black schemes.



    How I now so grieve that ill-fated day

    In my epic misery bow to pray

    For sweet mercy and yet another shot

    To live forever in our moonlit spot

    Swearing to always refuse any goodbye

    Such dark reality firmly deny

    Living love's bounty, dreaming wondrous dreams

    In sweet blindness, not seeing world's black schemes.



    Like lake June swans once so were she and I

    Passionate romance money cannot buy

    Coupled and in heart's fervor we stood

    Giving into our fever all we could

    She the flighted arrow, I the strong bow

    In our innocent youth fearing no blows

    Living love's bounty, dreaming wondrous dreams

    In sweet blindness, not seeing world's black schemes.



    Robert J. Lindley, 9-12-2021

    Romanticism,

    ( What Once Was, And Can Never Be Again )


    Note-

    "Such sorrows of youth and the innocence that was our shield."

    "Talibus aerumnas iuvenum et innocens clypei"




    **********



    Blog- To not give up. To create new,

    A series of poems. number 2



    Tragic, When Innocence Was Lost And Love Fled

    (Youth, Dreams And Reality Series) number 2



    Beauty waltzed in on my diamond dreams

    While I a young lad wading rushing streams

    There bright roses and lush gardens in bloom

    Bringing me back from the darkness and gloom

    How oft we wonder why happiness flees

    Despite our prayers, our sincerest pleas

    Yet tomorrow always comes, life moves on

    Where we find beauty in a simple stone.



    I wake from dreams and eager dawn I beg

    Give me back love and my young dancing legs

    For in this tired ole spirit hope still shines

    I see Nature's beauty smell scented pines

    Walk the ancient trails and rest a bit

    Thank God my bloodline gives me heart and grit

    Oft I wonder who now walks these old shoes

    As lonely builds its walls and sings its blues.



    Sun sets a glowing red, life welcomes soft night

    Such a soulful peace allows no dark fright

    In youth I found that time was not a friend

    For took away joy as happy days end

    And some nights radiant moon its rays hid

    Reminding, fairy tales are just for kids

    In those somber thoughts, her dear face appears

    And then in waiting heart love romance sears.



    Beauty waltzed in on my diamond dreams

    While I a young lad wading rushing streams

    There bright roses and lush gardens in bloom

    Bringing me back from the darkness and gloom

    How oft we wonder why happiness flees

    Despite our prayers, our sincerest pleas

    Yet tomorrow always comes, life moves on

    Where we find beauty in a simple stone.



    Robert J. Lindley, 9-12-2021

    Romanticism,

    ( What Once Was, And Can Never Be Again )




    Note-
    "I that hold hope as a long lost friend. Await its gifts"…

    "I. Qui spem tam diu perditam teneo amici. Exspecta eius dona."




    **********



    https://theconversation.com/poetry-h...art-form-99722



    Poetry has a power to inspire change like no other art form

    October 2, 2018 6.26am EDT

    Author

    Kate North

    Senior Lecturer in English and Creative Writing, Cardiff Metropolitan University



    Disclosure statement

    Kate North does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.



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    Culturally, poetry is used in varied ways. Haikus, for example, juxtapose images of the everyday, while lyric poetry expresses the personal and emotional. Similarly, poets themselves come in a range of guises. Think of the Romantic poet engaging with the sublime, the penniless artist in their garret, the high-brow don, the bard, the soldier on the frontline, the spoken word performer, the National Poet, the Poet Laureate or the Makar.



    As an educator I sometimes encounter a fear of poetry in new students who have previously been put off by former teachers. Such teachers are, perhaps, intimidated by verse themselves, presenting it as a kind of algebra with an answer to be uncovered through some obscure metric code. This fear disperses, however, when students are given the confidence to interpret and engage with poetry on their own terms.



    In creative writing classes we often talk about students needing to “find their own voice” and the best poems I read are written in the writers’ own particular voice, rather than in some inhabited “poetic” register. This is because poetry, for the writer and the reader, is about relevance.



    Poetry is as relevant now as ever, whether you are a regular reader of it or not. Though chances are, at some point in your life, you will reach out to poetry. People look to poems, most often, at times of change. These can be happy or sad times, like birthdays, funerals or weddings. Poetry can provide clear expression of emotion at moments that are overwhelming and burdensome.



    Read news coverage based on evidence, not tweets

    Markers of change

    Poetry is also used to mark periods of change which are often celebrated through public events. In these instances the reading and writing of poetry can be transformative. At Remembrance Sunday, for example, verse is used to reflect upon and process the harsh realities of loss, as well as commemorate the military service of those who have passed.



    In the wake of the shocking Manchester Arena bombing, Tony Walsh’s This is the Place gave the city a voice that was unifying, defiant and inspiring. It was important that Walsh is a Mancunian himself, just as David Jones fought in the trenches and at Mametz Wood which gives his In Parenthesis the weight of experience, while Holly McNish’s written experience in her book Nobody Told Me rings with the truth of a mother.





    The communication of personal experiences like these in poetry, using direct and immediate terms, came to the fore with the early confessional poetry movement through poets like Robert Lowell, Anne Sexton and Sylvia Plath. Their use of the personal and private as the basis for their poems was once considered shocking but is now an embedded part of the contemporary poetry world.



    That is not to say that poetry can only communicate direct experiences, however. Some poems are spaces in which broad questions are grappled with and answers sought. For example, in Shakespeare’s The Tempest we are told death is a transformation rather than an end:



    Nothing of him that doth fade



    But doth suffer a sea-change



    Into something rich and strange



    These comforting words can also be found on the grave of Percy Bysshe Shelley in Rome.



    Looking forward

    Poetry is also used to explore the potential for change in the future, carrying with it the fears or hopes of the poet. Take Interim by Lola Ridge for example, a poem which holds particular relevance at this time. Ridge was a prominent activist and an advocate of the working classes. In Interim, change is yet to happen. We encounter the moment before change, the build up to change, the pause to take stock, consider and prepare for what is next. In it she anticipates a future movement or event. At a time of political uncertainty, as Brexit is being wrangled with, when opinions on all sides appear fragmented rather than unified, I find Ridge’s words a particular comfort. She describes the world as:



    A great bird resting in its flight



    Between the alleys of the stars.



    This idea of the resting world is powerful. The world is waiting for its inhabitants to come to order perhaps, or to evolve even, before moving on to who knows where. But that is just me and my interpretation. Another reader will disagree and that is one of the most satisfying things about reading poetry. Your interpretation is yours alone and it can change the way you think or feel about something. It can help in times of challenge and it can bolster in periods of unease.



    Today, poetry has never been more immediately accessible. With websites like The Poetry Archive and The Poetry Foundation one can summon a poem in the palm of one’s hand. Whether you are a regular reader of poetry or a person who encounters it only at moments of change, there is no denying the ongoing relevance and power of it.





    **********



    https://www.writerswrite.co.za/15-re...-write-poetry/



    15 Good Reasons To Write Poetry



    In this post, we give you 15 good reasons to write poetry.



    Why should you write poems?





    Because they’re awesome, but also because poetry is even more condensed that the short story. I find writing poems challenging and they make me approach writing differently.



    15 Good Reasons To Write Poetry

    They also:



    Allow you to brainstorm. Because the medium differs from stories, poems allow you to express things differently. Use them to brainstorm ideas.

    Make your words work. Even more than the short story, poems have limited words and we need make our words work hard.

    Make you think differently about words. Poems make us re-evaluate words and think of new ways to manipulate language.

    Make you evaluate each word, because of the condensed nature of a poem we have to spend even more time evaluating our word choice.

    Allow you to say exactly what it is you want to say. Poems act as a filter and help us get to the guts of the matter.

    Have rules, but they also have no rules. You get to break all the rules when you write poems but do it only because it serves the poem. Manipulate grammar, change the sentence structure.

    Allow you to experiment and experiment some more. Have fun.

    Have many places to submit. The only thing there is more of on the internet than short story competitions and submissions are poetry sites. Dig in.

    Are even quicker to write. A poem can take a few minutes and just spill out or it can take years.

    Give you a break from fiction, because it is such a different medium.

    Give you deadlines, deadlines, and more deadlines. Find them online, sign up here, but get going.

    Make you more aware of how words and sentences sound, which will improve your fiction.

    Give you an opportunity to learn by reading and commenting on other poems.

    Help you learn from the comments and feedback from other poets.

    Help you express emotion and feelings. Poems are supposed to make you feel something even if you don’t understand them. They help you get feelings out.

    It is true that many of these are applicable of all writing, but I hope that I have convinced you that poems are valuable. These 15 good reasons to write poetry should inspire you. It would be awesome if you would like to join us for this new adventure.

    ************************

    I must be slipping a bit, as it took two days for this new blog to go --HOT.....---Tyr
    Last edited by Tyr-Ziu Saxnot; 09-15-2021 at 07:28 AM.
    18 U.S. Code § 2381-Treason Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason and shall suffer death, or shall be imprisoned not less than five years and fined under this title but not less than $10,000; and shall be incapable of holding any office under the United States.

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    My new blog has now just went-- HOT-- in less than two hours after it was posted..-- --Tyr
    Last edited by Tyr-Ziu Saxnot; 01-10-2022 at 11:46 AM.
    18 U.S. Code § 2381-Treason Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason and shall suffer death, or shall be imprisoned not less than five years and fined under this title but not less than $10,000; and shall be incapable of holding any office under the United States.

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    Completed Contests that used my poetry forms as requirements..-Tyr

    (1.)

    A Poem Crafted In The Various Lind30 by Robert Lindley
    Contest Judged: 2/25/2022 8:13:00 AM
    Sponsored by: Chantelle Anne Cooke | Send Soup Mail
    See Contest Description
    Place PoemTitle Poet
    Contest Winner Medal 1 The Widower and Wife: LIND30 Hilo Poet
    Contest Winner Medal 1 Words Will Not Do Andrea Dietrich
    Contest Winner Medal 1 GRAND LIFE Beata Agustin
    Contest Winner Medal 1 Snowy The Snowman Constance La France
    Contest Winner Medal 1 Pussy Willows Sam Kauffman
    Contest Winner Medal 1 Winnie-the-Pooh Looks At The Sky So Blue Eve Roper
    Contest Winner Medal 1 Calm Cruise Greg Masciana
    Contest Winner Medal 1 Sensational sunset JAN ALLISON
    Contest Winner Medal 1 What Time Said When I Complained Janice Canerdy
    Contest Winner Medal 1 Lullaby Song Kelly Deschler
    Contest Winner Medal 1 Terror filled me ere I slept Jeff Kyser
    Contest Winner Medal 1 Old Homeplace L MILTON HANKINS
    Contest Winner Medal 1 So Help Us God Sotto Poet
    Contest Winner Medal 1 Subtle Glance Linda Craddick
    Contest Winner Medal 1 To Love Charles Messina
    Contest Winner Medal 1 The Cosmos Paulette Calasibetta
    Contest Winner Medal 1 Called Home Robert Gorelick
    Contest Winner Medal 1 My Love My Love Paula Goldsmith
    Contest Winner Medal 1 Your Fragrance Subimal Sinha-Roy
    Contest Winner Medal 1 A Scarlet Gown M. L. Kiser

    Contest Description
    What to Submit?

    1 original, poem on the theme of anything. Must adhere to the Lind30. Please read Robert Lindley's Blogs for further information regarding his poetic forms. NEW POEMS ONLY FROM TODAYS DATE 1/25/2022 AND FORWARD. GOOD LUCK!

    PLEASE CHOOSE "VERSE" FOR YOUR FORM.

    Prizes

    Many Placements Available

    Preparing Your Entry

    Submit one copy of your poem online. Format your poem. Please make your entry easy to read — no illustrations or fancy fonts.

    English Language

    Poems should be in English. Poems translated from other languages are not eligible, unless you wrote both the original poem and the translation.

    A Note to Poetry Contestants

    You are welcome to enter this contest, whether or not you won a prize in one of my previous contests.

    ****************************
    (2.)

    LIND30 Rhyme

    Contest Judged: 4/13/2022 4:09:00 PM
    Sponsored by: Chantelle Anne Cooke | Send Soup Mail
    See Contest Description
    Place PoemTitle Poet
    Contest Winner Medal 1 Green Reflections Constance La France
    Contest Winner Medal 2 BITTERNESS Kim Rodrigues
    Contest Winner Medal 3 Yearning Paul Callus
    4 a boy, a king Jeff Kyser
    5 Backlash Sotto Poet
    6 Spears Of Green Emile Pinet
    7 On Children Today Andrea Dietrich
    8 Wine Time Greg Masciana
    9 Big Bees Paula Goldsmith
    10 Spring Cleaning Sandra Haight

    Contest Description
    What to Submit?

    1 original, poem on the theme of .............Part Two in the series of Robert Lindley's LIND3O. 7,7,7,9 Syllable Count with Rhyme. New poems only from today's date 3/18/2022 and forward. Good Luck!


    Prizes

    First Prize, Glory
    Second Prize, Glory
    Third Prize, Glory
    Twelve Honorable Mentions

    Preparing Your Entry

    Submit one copy of your poem online. Format your poem. Please make your entry easy to read — no illustrations or fancy fonts.

    English Language

    Poems should be in English. Poems translated from other languages are not eligible, unless you wrote both the original poem and the translation.

    A Note to Poetry Contestants

    You are welcome to enter this contest, whether or not you won a prize in one of my previous contests.
    18 U.S. Code § 2381-Treason Whoever, owing allegiance to the United States, levies war against them or adheres to their enemies, giving them aid and comfort within the United States or elsewhere, is guilty of treason and shall suffer death, or shall be imprisoned not less than five years and fined under this title but not less than $10,000; and shall be incapable of holding any office under the United States.

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